Das Christ-Elflein, Op. 20, Act I: Ouverture by Hans Pfitzner, Andrea Sokol, Marlis Petersen, Martina Ruping, Kevin Connors, Christian Bauer, Michael Volle, Andreas Horl, Friedemann Rohlig, Richard Salter, Tolz Boys' Choir, Munich Radio Orchestra, Claus Peter Flor Song Details

"Das Christ-Elflein, Op. 20, Act I: Ouverture" by Hans Pfitzner, Andrea Sokol, Marlis Petersen, Martina Ruping, Kevin Connors, Christian Bauer, Michael Volle, Andreas Horl, Friedemann Rohlig, Richard Salter, Tolz Boys' Choir, Munich Radio Orchestra, Claus Peter Flor had its release date on January 1, 2005. This song appears to be safe for all ages as it is not explicit. There are a total of 26 in the song's album "Pfitzner, H.: Christ-Elflein (Das) [Opera]". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Das Christ-Elflein, Op. 20, Act I: Ouverture is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Das Christ-Elflein, Op. 20, Act I: Ouverture by Hans Pfitzner, Andrea Sokol, Marlis Petersen, Martina Ruping, Kevin Connors, Christian Bauer, Michael Volle, Andreas Horl, Friedemann Rohlig, Richard Salter, Tolz Boys' Choir, Munich Radio Orchestra, Claus Peter Flor having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.875 dB
Acousticness: 98%
Danceability: 23%
Energy: 11%
Instrumentalness: 84%
Liveness: 6%
Loudness: 62%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!"	Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine	E Minor	2	9A	78 BPM
4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen	Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin	E♭ Major	2	5B	133 BPM
Von deutscher Seele, Op. 28: Pt. I: Was willst auf dieser Station	Hans Pfitzner, Solveig Kringelborn, Nathalie Stutzmann, Christopher Ventris, Robert Holl, Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, Ingo Metzmacher	G Major	4	9B	77 BPM
Palestrina, Act I Scene 3: Wie schon ist, was lhr sagt! (Palestrina, Borromeo)	Hans Pfitzner, Peter Bronder, Britta Stallmeister, Claudia Mahnke, Wolfgang Koch, Johannes Martin Kränzle, Frank van Aken, Alfred Reiter, Magnus Baldvinsson, Peter Marsh, Franz Mayer, Michael Nagy, Richard Cox, Hans-Jurgen Lazar, Dietrich Volle, Sungkon Kim, Katharina Magiera, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Kirill Petrenko	B♭ Major	2	6B	102 BPM
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus!	Gustav Mahler, Lorin Maazel, Wolfram Koloseus, Konzertvereinigung Wiener Staatsopernchor, ORF-Chor, Arnold Schoenberg Chor, Wiener Philharmoniker	D Major	2	10B	75 BPM
Von deutscher Seele, Op. 28 / Part One - Mensch und Natur: Es geht wohl anders, als du meinst - Live	Hans Pfitzner, Agnes Giebel, Hertha Töpper, Fritz Wunderlich, Otto Wiener, Anton Nowakowski, Bavarian Radio Symphony Orchestra, Joseph Keilberth, Bavarian Radio Chorus	G Minor	2	6A	68 BPM
Ein Heldenleben, Op. 40, TrV. 190: Des Helden Walstatt	Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck	G Major	1	9B	85 BPM
Palestrina - Musical Legend In Three Acts / Act 1: Schönste, ungnäd'ge Dame	Hans Pfitzner, Brigitte Fassbaender, Helen Donath, Bavarian Radio Symphony Orchestra, Rafael Kubelik	A Minor	1	8A	85 BPM
Requiem: VIII. Ingemisco	Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill	E♭ Major	0	5B	86 BPM
Parsifal, Act I: Weh! ... Hoho! ... Auf! ... Wer ist der Frevler? – Du konntest morden, hier, im heil'gen Walde	Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Claes-Håkon Ahnsjö, Peter Hofmann, Georg Tichy, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	1	4B	77 BPM
Fidelio, Op. 72, Act I: Aria. O war' ich schon mit dir vereint (Marzelline)	Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay	C Major	3	8B	135 BPM
Palestrina, Act III: Wie lange sie bleiben	Hans Pfitzner, Otmar Suitner, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Peter Schreier, Carola Nossek	F♯ Major	1	2B	87 BPM
Die Walküre, Act I Scene 1: Wes Herd dies auch sei, hier muss ich rasten – Kühlende Labung gab mir der Quell	Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	0	6B	88 BPM
An die Musik, D.547 (Op.88/4)	Franz Schubert, Bryn Terfel, Malcolm Martineau	C Major	0	8B	135 BPM
Kleine Symphony in G Major, Op. 44: II. Allegro	Hans Pfitzner, Bamberg Symphony, Werner Andreas Albert	D Minor	1	7A	92 BPM
Cavalleria rusticana: Introduzione	Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano	C Major	3	8B	166 BPM
Norma (1997 Digital Remaster), ACT 1, Scene 1: Introduction (Orchestra) ... Ite sul colle (Oroveso/Coro)	Vincenzo Bellini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan	G Major	1	9B	95 BPM
Verklärte Nacht, Op. 4 (Version for String Orchestra): II. Molto rallentando (Bar 100)	Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	86 BPM
Von deutscher Seele, Op. 28: Pt. I: Ewig muntres Spiel der Wogen	Hans Pfitzner, Solveig Kringelborn, Nathalie Stutzmann, Christopher Ventris, Robert Holl, Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, Ingo Metzmacher	F♯ Major	2	2B	83 BPM
Mascagni: Cavalleria rusticana: "Gli aranci olezzano" (Coro)	Pietro Mascagni, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra	A Major	1	11B	76 BPM
Die Rose vom Liebesgarten, Prologue: Wendet die Blicke nun	Hans Pfitzner, Andreas Kindschuh, Kouta Rasanen, Robert Schumann Philharmonie, Frank Beermann	D Major	2	10B	104 BPM
Palestrina, Act II: Ein liebreich würd'ger Herr	Hans Pfitzner, Otmar Suitner, Staatskapelle Berlin, Hans-Joachim Ketelsen, Siegfried Lorenz	A Minor	1	8A	80 BPM
Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied	Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	1	4B	77 BPM
Otello / Act I: "Vanne! la tua meta già vedo" - "Credo in un Dio cru- del"	Giuseppe Verdi, Bryn Terfel, Swedish Radio Symphony Orchestra, Paul Daniel	D♭ Major	2	3B	79 BPM