"Symphony No. 3, Op. 57: III. Scherzo" by Ruth Gipps, BBC Philharmonic, Rumon Gamba had its release date on October 14, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba's "Gipps: Orchestral Works, Vol. 2" album is number 8 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Symphony No. 3, Op. 57: III. Scherzo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3, Op. 57: III. Scherzo by Ruth Gipps, BBC Philharmonic, Rumon Gamba to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Snowflakes (Arr. for Violin and Orchestra from Morceaux, Op. 57 by Ben Palmer) | Selim Palmgren, Eldbjørg Hemsing, Arctic Philharmonic | F♯ Minor | 2 | 11A | 130 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | A♭ Major | 0 | 4B | 96 BPM | ||
| Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: I. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | A♭ Major | 0 | 4B | 96 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | A♭ Major | 0 | 4B | 96 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | A♭ Major | 0 | 4B | 96 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Adagio con Variazione | Sol Gabetta | B Major | 1 | 1B | 83 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, Chineke! Orchestra, Leslie Suganandarajah | A Major | 1 | 11B | 72 BPM | ||
| Symphony No. 5, Op. 64: III. Scherzo. Allegro | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Sibelius: Impromptu for String Orchestra (From Impromptu, Op. 5) | Jean Sibelius, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | A Major | 4 | 11B | 98 BPM | ||
| English Suite: Jig | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 121 BPM | ||
| Quintet for Oboe, Clarinet & String Trio, Op. 16: III. Energico | Ruth Gipps, Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic | F Major | 1 | 7B | 166 BPM | ||
| Symphony No. 1 in F Minor, Op. 22: III. Allegro | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM |