"Sentimental Sequences for Thirteen Performers: Part 4" by Music Contemporary Musica Ensemble, Alexander Raskatov, Alexei Vinogradov had its release date on April 10, 1991. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Music Contemporary Musica Ensemble's "Music Contemporary Musica Ensemble, Vol.3" album is number 9 out of 12. In terms of popularity, Sentimental Sequences for Thirteen Performers: Part 4 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sentimental Sequences for Thirteen Performers: Part 4 by Music Contemporary Musica Ensemble, Alexander Raskatov, Alexei Vinogradov to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strangers: A Chamber Ballet About Immigration - No. 2, Pt. I. Tale of the Cats (Opening) | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | E♭ Minor | 0 | 2A | 89 BPM | ||
| Ligeti: Hamburg Concerto: II. Signale, Tanz, Choral | György Ligeti, Marie Luise Neunecker, Ozan Çazar, Simon Breyer, Sybille Mahni, Thomas Bernstein, Reinbert de Leeuw | C Major | 0 | 8B | 75 BPM | ||
| Mythes, Trois Poèmes, Op. 30: 1. La fontaine d'Arethuse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A♭ Minor | 0 | 1A | 74 BPM | ||
| Sírt-tér for Violoncello and Chamber Orchestra | Márton Illés, Nicolas Altstaedt, Munich Chamber Orchestra, Bas Wiegers | E♭ Minor | 0 | 2A | 89 BPM | ||
| String Quartet No. 5, H. 268: III. Allegro vivo | Bohuslav Martinů, Pavel Haas Quartet | G Minor | 3 | 6A | 143 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Void Pulse | Astrid Voix | E♭ Minor | 0 | 2A | 89 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 2, Alla Serenata | Erwin Schulhoff, Leonkoro Quartet | E♭ Minor | 0 | 2A | 89 BPM | ||
| Obertura | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | F♯ Major | 4 | 2B | 136 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Un caballo en el castillo de cristal | Gabriel Andrés Gallegos | E Minor | 1 | 9A | 81 BPM | ||
| 3 Miniatures for Clarinet and Piano (I. Allegro II. Andante Cantabile III. Allegro Ma Non Troppo) | Krzysztof Penderecki, Anna Miernik, Barbara Borowicz | B♭ Major | 3 | 6B | 81 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | E♭ Minor | 0 | 2A | 89 BPM | ||
| Chamber Symphony : Part 2 | Music Contemporary Musica Ensemble, Edison Denisov, Vladimir Ponkin | G Minor | 0 | 6A | 101 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | E♭ Minor | 0 | 2A | 89 BPM | ||
| con slancio | Heinz Holliger | E♭ Minor | 0 | 2A | 89 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E♭ Minor | 0 | 2A | 89 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | E♭ Minor | 0 | 2A | 89 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Göreme: III. The Mirror - Live performance on May 20, 2010 | Markku Klami, Patrik Kleemola | A♭ Major | 2 | 4B | 105 BPM |