John Walker, Scott Walker's ' "Swingin' At The Batcave" was released on its scheduled release date, July 1, 1966. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Swingin' At The Batcave's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Walker, Scott Walker's "I Only Came To Dance With You" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Swingin' At The Batcave is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Swingin' At The Batcave by John Walker, Scott Walker to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Concerto pour trombone et orchestre: II. Quasi una legenda | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | B♭ Minor | 0 | 3A | 66 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: III. Finale. Prestissimo | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | D Major | 1 | 10B | 72 BPM | ||
| An Original Suite: II. Intermezzo | Gordon Jacob, Eugene Migliaro Corporon, North Texas Wind Symphony | A Minor | 1 | 8A | 70 BPM | ||
| Clarinet Concerto No. 2 in E flat major Op.74: II: Romanza: Andante | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 78 BPM | ||
| Liebestraum No. 3, S 541 | Franz Liszt, Michael Collins, Michael McHale | A♭ Major | 0 | 4B | 76 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: IV. Allegro molto - Lento - Allegro molto - Presto | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | B♭ Major | 1 | 6B | 142 BPM | ||
| String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Ernst Ottensamer, Slovak Radio Symphony Orchestra, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 77 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| In dulci jubilo, BWV 608 | Johann Sebastian Bach, John Walker | D Major | 1 | 10B | 138 BPM | ||
| Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
| The Whole Damn World Has the Got the Blues | John Walker | B Minor | 4 | 10A | 91 BPM | ||
| Morceau de Concert, Op. 94 for Horn and Orchestra: 2. Allegro non troppo | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester, Kurt Masur | F Major | 1 | 7B | 122 BPM | ||
| Harbour City | John Walker | A Minor | 8 | 8A | 120 BPM | ||
| Nashville | John Walker, Scott Walker | D♭ Major | 9 | 3B | 119 BPM | ||
| Grand Canyon Suite: 4. Sunset | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 84 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 105 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Thema und Variationen, Op. 13 | Franz Strauss, Stefan Dohr, Markus Becker | E♭ Major | 0 | 5B | 68 BPM | ||
| Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
| Come Sunday: II. Shout! | Omar Thomas, United States Marine Band, Ryan Nowlin | C Minor | 6 | 5A | 139 BPM | ||
| Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
| Concerto pour trombone et orchestre: III. Finale: Maestoso - Rondo | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | F♯ Major | 0 | 2B | 120 BPM | ||
| Symphonie-Passion, Op. 23: IV. Résurrection sur "Adoro te devote" | Marcel Dupré, John Walker | C Major | 1 | 8B | 81 BPM |