"Francesca da Rimini, Act II: Paolo! …Francesca! (Live)" by Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni had its release date on October 7, 2014. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Giampiero Malaspina, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro La Scala di Milano, Gianandrea Gavazzeni, Enrico Campi, Gabriella Carturan, Athos Cesarini, Angelo Mercuriali, Giuseppe Morresi, Pinuccia Perotti, Anna Maria Rota. The song's track number on the album is #13 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Francesca da Rimini, Act II: Paolo! …Francesca! (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act II: Paolo! …Francesca! (Live) by Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Act II: Paolo! …Francesca! (Live) being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Francesa da Rimini, Act III: "Inghirlandata di violette m'appariste ieri" | Riccardo Zandonai, Plácido Domingo, Renata Scotto, James Levine, Metropolitan Opera Orchestra | F♯ Minor | 1 | 11A | 76 BPM | ||
| Simon Boccanegra: Prologo: A te l'estremo addio (Fiesco) | Giuseppe Verdi, Michele Pertusi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | A♭ Minor | 1 | 1A | 71 BPM | ||
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Gianni Schicchi: E non c'è nessun mezzo... | Giacomo Puccini, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Minor | 1 | 5A | 114 BPM | ||
| Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
| Francesca da Rimini / Act 3: Ah, la parola che i miei occhi incontrano...E Galeotto | Riccardo Zandonai, Mario del Monaco, Magda Olivero, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno | D♭ Minor | 2 | 12A | 66 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Manon Lescaut / Act 1: Di sedur la sorellina è il momento | Giacomo Puccini, Giuseppe Taddei, Federico Davia, Ramón Vargas, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 141 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Oh! No, no! Non sono io! | Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Kim-Lillian Strebel, Marija Jokovic, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 0 | 7A | 84 BPM | ||
| Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Va, non piangere! | Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | ||
| Verdi: La forza del destino, Act 2: "Padre eterno Signor" (Don Carlo di Vargas, Coro, Un Alcade, Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Giorgio Zancanaro, Mirella Freni, Silvestro Sammaritano, Orchestra Del Teatro Alla Scala, Milano | F Major | 4 | 7B | 143 BPM | ||
| La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
| Francesca da Rimini / Act 3: Inghirlandata di violette | Riccardo Zandonai, Mario del Monaco, Lucilla Cipriano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci | F Major | 3 | 7B | 85 BPM | ||
| Andrea Chénier: Come un bel dì di maggio | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F♯ Minor | 2 | 11A | 91 BPM | ||
| Rigoletto, Act I: Ah, veglia, o donna, questo fiore | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Eglė Šidlauskaitė, Francesco Demuro, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 1 | 3B | 164 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | ||
| Gianni Schicchi: "Datemi il testamento!" | Giacomo Puccini, Leo Nucci, Ledo Freschi, Roberto Alagna, Ewa Podles, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 1 | 3B | 121 BPM | ||
| Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Minor | 2 | 12A | 59 BPM | ||
| Verdi: Otello: Atto Primo: Già nella notte densa | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Paolo, datemi pace! | Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM |