Rie Nakahara's ' "さよなら冷たいひと" was released on its scheduled release date, 1978. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rie Nakahara's "GOLDEN☆BEST / 中原理恵 Singles" album is number 16 out of 18. On top of that, Japan appears to be the country where this track was created. In terms of popularity, さよなら冷たいひと is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of さよなら冷たいひと by Rie Nakahara to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 花れん | Kozo Murashita | D♭ Minor | 8 | 12A | 129 BPM | ||
| キャンディ | Shinji Harada | A Minor | 3 | 8A | 130 BPM | ||
| ドリーミング・ラブ | Rie Nakahara | F Major | 3 | 7B | 131 BPM | ||
| モンロー・ウォーク | Yoshitaka Minami | F Minor | 6 | 4A | 122 BPM | ||
| 死ぬほど逢いたい | Rie Nakahara | G Minor | 5 | 6A | 100 BPM | ||
| 燃えろいい女 | ツイスト | F Major | 4 | 7B | 144 BPM | ||
| 釜山港へ帰れ | Jiro Atsumi | E Minor | 6 | 9A | 107 BPM | ||
| さよなら冷たいひと | Rie Nakahara | E Minor | 7 | 9A | 116 BPM | ||
| 19:00の街 | Goro Noguchi | B Minor | 8 | 10A | 174 BPM | ||
| ダンスはうまく踊れない | Seri Ishikawa | C Minor | 4 | 5A | 75 BPM | ||
| シャドー・ボクサー | Shinji Harada | F Major | 5 | 7B | 129 BPM | ||
| Yokohama Eleven | Midori Kinouchi | C Minor | 6 | 5A | 122 BPM | ||
| もしも明日が | Warabe | D Minor | 4 | 7A | 121 BPM | ||
| 想い出ぼろぼろ | Yasuko Naito | G Minor | 8 | 6A | 153 BPM | ||
| ウエディング・ベル | Sugar | G Minor | 6 | 6A | 90 BPM | ||
| Gobangai no Mary e | Mariko Takahashi | D Major | 4 | 10B | 85 BPM | ||
| ブルー | Machiko Watanabe | A Minor | 6 | 8A | 145 BPM | ||
| 枕詞 (ピロー・トーク) | Rie Nakahara | E Minor | 7 | 9A | 116 BPM | ||
| 僕 笑っちゃいます | Shingo Kazami | D♭ Minor | 10 | 12A | 151 BPM | ||
| 九月の雨 | Hiromi Ota | F Minor | 6 | 4A | 117 BPM | ||
| 初恋 | Kozo Murashita | B♭ Minor | 7 | 3A | 128 BPM | ||
| 懐かしのジョージ・タウン | Rie Nakahara | E Minor | 7 | 9A | 116 BPM | ||
| アメリカン・フィーリング | CIRCUS | A♭ Major | 7 | 4B | 128 BPM | ||
| 草原の輝き | Agnes Chan | F♯ Major | 7 | 2B | 108 BPM | ||
| ウォンテッド(指名手配) (2025 Remaster) | Pink Lady | A Minor | 8 | 8A | 164 BPM |