Charivari Agréable's 'Christopher Simpson: Division in A' had a release date set for 1998. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Two Upon A Ground". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Christopher Simpson: Division in A is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Christopher Simpson: Division in A by Charivari Agréable having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mystery Sonata No. 8 "The Crown of Thorns": II. Gigue and Double Presto, Double | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| Vespro della Beata Vergine, SV 206: Magnificat: Deposuit potentes de sede | Claudio Monteverdi, Thomas Hobbs, Hugh Cutting, Sebastian Cox, Nicholas Pritchard, Guy Cutting, Nicholas Mulroy, James Swash, Duncan Saunderson, Thomas Edwards, Stephen Taylor, Jonathan Howard, Thomas Raskin, Choir of New College, Oxford, Charivari Agréab | B Minor | 1 | 10A | 130 BPM | ||
| Concerto a 8 concertanti in G Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Allegro (1) | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | D♭ Major | 3 | 3B | 113 BPM | ||
| Rameau: Dardanus, Act 4: Contredanse | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 124 BPM | ||
| Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
| Christopher Simpson: Division in A | Charivari Agréable | A♭ Major | 1 | 4B | 69 BPM | ||
| Magnificat in C Minor - Gloria | Johann Pachelbel, Charivari Agréable, The King's Singers, Kah-Ming Ng | B Major | 0 | 1B | 69 BPM | ||
| Hernando de Cabezón: "Lautenbuch des Octavianus Fugger II" - O bella | Charivari Agréable | G Major | 0 | 9B | 63 BPM | ||
| Fux: Ciaconna in G major | Charivari Agréable | F♯ Major | 2 | 2B | 179 BPM | ||
| Quartet in D minor / ré mineur / d-moll: II. Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Minor | 0 | 12A | 116 BPM | ||
| Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance | Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann | E Minor | 1 | 9A | 123 BPM | ||
| Concerto grosso No. 5 in G Minor - Arr. from Corelli's Sonata Op. 5 No. 5: II. Vivace | Francesco Geminiani, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | G Minor | 1 | 6A | 117 BPM | ||
| Hernando de Cabezón: Ave maristela | Charivari Agréable | A Minor | 0 | 8A | 72 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Scarlatti, D: Sinfonia No. 7 in C Major: III. Allegrissimo | Domenico Scarlatti, Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Concerto in A Major, Op. 12 No. 1: II. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Irish Baroque Orchestra, Monica Huggett, Lisa Beznosiuk, Andreas Helm | F♯ Minor | 1 | 11A | 113 BPM | ||
| Concerto Armonico No. 4 in G Major: Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 96 BPM | ||
| Concerto in F major, op.4, No. 12 (1735): 1. Allegro | Pietro Locatelli, Musica Antiqua Köln, Reinhard Goebel | B Major | 1 | 1B | 131 BPM | ||
| Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | ||
| Concerto grosso in F Major Op. 6, No. 6: III. Largo | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | ||
| Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM |