Seventeen Come Sunday by Ralph Vaughan Williams, Iain Sutherland Concert Orchestra, Iain Sutherland Song Details

"Seventeen Come Sunday" by Ralph Vaughan Williams, Iain Sutherland Concert Orchestra, Iain Sutherland had its release date on August 14, 2012. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Merrymakers - British Light Classics". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Seventeen Come Sunday's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Seventeen Come Sunday by Ralph Vaughan Williams, Iain Sutherland Concert Orchestra, Iain Sutherland having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -11.486 dB
Acousticness: 90%
Danceability: 24%
Energy: 50%
Instrumentalness: 71%
Liveness: 15%
Loudness: 81%
Speechiness: 7%
Valence: 8%

Recommendations

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Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Conclusion)	Gustav Mahler, Sir John Barbirolli, John Barbirolli, New Philharmonia Orchestra	A Minor	1	8A	77 BPM
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Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin)	Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies	B♭ Major	1	6B	90 BPM
The Banks of Green Willow	George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn	A Minor	0	8A	71 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Pavane, Op. 50	Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton	F♯ Minor	0	11A	66 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	0	7B	87 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato	Ottorino Respighi, RTÉ National Symphony Orchestra	D Major	1	10B	90 BPM
Fauré: Pavane, Op. 50 (Instrumental Version)	Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields	F♯ Minor	1	11A	70 BPM
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria	Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin	B♭ Major	0	6B	78 BPM
Petite suite de concert, Op. 77: II. Demande et reponse	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	G Major	0	9B	90 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land"	Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham	D Minor	0	7A	81 BPM
Suite No. 3, P. 172: III. Siciliana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	C Minor	0	5A	93 BPM
Five Variants of ‘Dives and Lazarus’	Ralph Vaughan Williams, Hallé, Sir Mark Elder	B Minor	1	10A	71 BPM
Fanfare for the Common Man	Aaron Copland, Los Angeles Philharmonic, Zubin Mehta	B♭ Major	2	6B	73 BPM
English Folk Song Suite: 2. Intermezzo: My Bonny Boy	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	0	5A	64 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
English Pastoral Impressions: I. Spring Morning	John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley	E♭ Major	0	5B	101 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Skibbereen	Patrick Cassidy	E Minor	1	9A	84 BPM