"Francesca da Rimini, Act II: È ancora sgombro il campo del comune? (Live)" by Riccardo Zandonai, Eno Mucchiutti, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Raimondo Botteghelli, Leyla Gencer, Franco Capuana had its release date on August 1, 2014. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Raimondo Botteghelli, Renato Cioni, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Mario Ferrara, Anna Gasparini, Leyla Gencer, Claudio Giombi, Rosa Laghezza, Silvana Alessio Martinelli, Eno Mucchiutti, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Enzo Viaro, Franco Capuana. The song's track number on the album is #10 out of 31 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Act II: È ancora sgombro il campo del comune? (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act II: È ancora sgombro il campo del comune? (Live) by Riccardo Zandonai, Eno Mucchiutti, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Raimondo Botteghelli, Leyla Gencer, Franco Capuana has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Act II: È ancora sgombro il campo del comune? (Live) being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | E♭ Major | 2 | 5B | 80 BPM | ||
| Puccini: Tosca, Act I: "Mario! Mario! Mario!" (Tosca, Cavaradossi) | Giacomo Puccini, Zubin Mehta, Catherine Malfitano, Plácido Domingo, Orchestra Sinfonica di Roma della RAI | A♭ Major | 2 | 4B | 167 BPM | ||
| Bellini: I puritani: "Or dove fuggo io mai?" (Riccardo, Bruno) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Francesca da Rimini, Act II: È ancora sgombro il campo del comune? (Live) | Riccardo Zandonai, Eno Mucchiutti, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Raimondo Botteghelli, Leyla Gencer, Franco Capuana | G Minor | 0 | 6A | 139 BPM | ||
| Donizetti: Don Pasquale, Act 3: "È finita, Don Pasquale" (Pasquale, Norina) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 2 | 8B | 68 BPM | ||
| Francesca da Rimini, Op. 4, Act III: L'hai tu veduto montare a cavallo | Riccardo Zandonai, Christina Vasileva, Viktória Mester, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
| Carmen / Act 3: Trio: "Mêlons! Coupons!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 114 BPM | ||
| Carmen / Act 1: Chanson et Mélodrame: "Avez-vous quelque chose à ré- pondre?..." "Tra la la la ...." | Georges Bizet, Agnes Baltsa, Jean-Noel Sissia, Maria Laborit, Alain Hitier, Jean Barney, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 97 BPM | ||
| Tosca, Act I: Or lasciami al lavoro | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | ||
| Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
| Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova | D♭ Major | 0 | 3B | 76 BPM | ||
| Bellini: I puritani: "Oh, vieni al tempio, fedele Arturo" (Elvira, Bruno, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Bellini: I puritani: "A te, o cara, amor talora" (Arturo, Giorgio, Valton, Coro, Elvira) | Vincenzo Bellini, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Bellini: I puritani: "Vieni, vieni fra queste braccia" (Arturo, Elvira) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Aida, Act I: Alta cagion v'aduna | Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Piero de Palma, Plácido Domingo, Ruggero Raimondi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| Die Fledermaus, Act II: Entr'acte und Chor. Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Oh! No, no! Non sono io! | Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Kim-Lillian Strebel, Marija Jokovic, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 0 | 7A | 84 BPM | ||
| Giulietta e Romeo: Done piansite | Riccardo Zandonai, William Matteuzzi, Minsk Philharmonic Orchestra, Alain Guingal | A Minor | 0 | 8A | 170 BPM | ||
| Francesca da Rimini, Act II: È dolce cosa rivedere la vostra faccia (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | ||
| Un ballo in maschera / Act 2: Ecco l'orrido campo | Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM |