Aaron Copland, Pierre Génisson, BBC Concert Orchestra, Keith Lockhart's ' "Concerto for clarinet, strings and harp: II. Rather fast" was released on its scheduled release date, January 10, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Swing, a Benny Goodman Story (Bonus Track Version)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Based on our statistics, Concerto for clarinet, strings and harp: II. Rather fast's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for clarinet, strings and harp: II. Rather fast by Aaron Copland, Pierre Génisson, BBC Concert Orchestra, Keith Lockhart having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A♭ Major | 1 | 4B | 102 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| blue cathedral | Jennifer Higdon, Atlanta Symphony Orchestra, Robert Spano | G Major | 1 | 9B | 84 BPM | ||
| Petite suite de concert, Op. 77: III. Un Sonnet d'Amour | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A Major | 0 | 11B | 166 BPM | ||
| Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 82 BPM | ||
| Javelin | Michael Torke, John Williams, Boston Pops Orchestra | A Major | 2 | 11B | 138 BPM | ||
| Lincolnshire Posy: I. Lisbon | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | ||
| Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM | ||
| Appalachian Spring: Simple Gifts | Aaron Copland, Nashville Chamber Orchestra, Various Artists | D♭ Major | 1 | 3B | 88 BPM | ||
| Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
| Mississippi, "A Journey in Tones": III Old Creole Days | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A♭ Major | 0 | 4B | 98 BPM | ||
| Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 65 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
| Karelia Suite, Op. 11: II. Ballade. Tempo di menuetto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 1 | 8A | 59 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 131 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM | ||
| Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Major | 2 | 1B | 87 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Grainger: Country Gardens (Orch. Artok) | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | D♭ Major | 0 | 3B | 81 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM |