- BPM
- 90
- Key
- E♭ Major
- Camelot
- 5B
組曲（ピアノのための組曲 作品14より） Ⅲ.アレグロ・モルト by B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏（トロンボーン）, 小田桐寛之（トロンボーン）, 秋山鴻市（トロンボーン） Song Details
B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏（トロンボーン）, 小田桐寛之（トロンボーン）, 秋山鴻市（トロンボーン）'s '組曲（ピアノのための組曲 作品14より） Ⅲ.アレグロ・モルト' had a release date set for July 25, 2012. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ブリリアント, so we believe that "組曲（ピアノのための組曲 作品14より） Ⅲ.アレグロ・モルト" is a single. In terms of popularity, 組曲（ピアノのための組曲 作品14より） Ⅲ.アレグロ・モルト is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of 組曲（ピアノのための組曲 作品14より） Ⅲ.アレグロ・モルト by B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏（トロンボーン）, 小田桐寛之（トロンボーン）, 秋山鴻市（トロンボーン） is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.002 dB
- Acousticness
- 100%
- Danceability
- 36%
- Energy
- 34%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 34%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | ルーマニアン・フォーク・ダンス: I. Joc cu bata/Allegro moderato | B. バルトーク, Hardi Saxophone Quartet, 大和田雅洋, 大貫比佐志, 二宮和弘, 斎藤了 | F Minor | 0 | 4A | 68 BPM | |
 | 蘇州夜曲 | 服部良一, 宮田 大, Yasuji Ohagi | B♭ Major | 0 | 6B | 115 BPM | |
 | Senju: スノーダイヤモンド | Akira Senju, Mariko Senju | C Major | 2 | 8B | 180 BPM | |
 | 弦楽のための組曲: 第4楽章: Dashing away／アイロンをかけまくる | 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | |
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 16 in G minor, BWV 861 | Luc Beauséjour | F♯ Minor | 2 | 11A | 91 BPM | |
 | Du bist wie eine Blume (From Myrthen Op. 25, Arr. For Cello and Piano by Simon Velthuis) | Robert Schumann, Simon Velthuis | A♭ Major | 0 | 4B | 94 BPM | |
 | 44の二重奏より 第42番 アラビアの歌 | B. バルトーク, 川崎雅夫（ヴィオラ）, 店村眞積（ヴィオラ） | B♭ Major | 2 | 6B | 74 BPM | |
 | Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | |
 | Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif Thedéen | C Minor | 0 | 5A | 111 BPM | |
 | Fauré: Après un rêve | Gabriel Fauré, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D Minor | 2 | 7A | 142 BPM | |
 | シチリアーノ（パラディス） | マリア・テレジア・フォン・パラディス, 幸田聡子, Chika Nishiwaki | E♭ Major | 1 | 5B | 90 BPM | |
 | Sonata in A Major K.429 - Duo-Art 68030 -1- | Alessandro Scarlatti, Alfred Kugel, Peter Phillips | D Minor | 2 | 7A | 142 BPM | |
 | Suite in A Minor, Krebs-WV 819: IV. Courrante | Johann Ludwig Krebs, Steven Devine | B Major | 3 | 1B | 94 BPM | |
 | Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | D Minor | 2 | 7A | 142 BPM | |
 | Manuscrit de Tournus, Suite in D Minor: Sarabande | Monsieur de Sainte-Colombe, Lucile Boulanger | D♭ Major | 0 | 3B | 116 BPM | |
 | Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | D Minor | 2 | 7A | 142 BPM | |
 | Massenet: Musique pour bercer les petits enfants | Jules Massenet, Aldo Ciccolini | C Major | 2 | 8B | 107 BPM | |
 | Trio in A Major (Hob. XV:18): II. Andante | Joseph Haydn, Gryphon Trio | B Minor | 0 | 10A | 89 BPM | |
 | Lakštingala, MKČ 466 | Mikalojus Konstantinas Čiurlionis, Onutė Gražinytė | A Minor | 0 | 8A | 85 BPM | |
 | 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: II. Fugato | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 101 BPM | |
 | She's Slender Like a Plane-Tree (Arr. for String Quartet by Sergei Aslamazyan) | Komitas, Bechtler Ensemble | E♭ Major | 1 | 5B | 62 BPM | |
 | 4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano) | John Ireland, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | |
 | String Quartet No 1 | Classizista | G Minor | 3 | 6A | 113 BPM | |
 | Andante et Allegro pour violoncelle et piano in E Major: I. Andante | Reynaldo Hahn, Dania Tchalik, Marc Tchalik | D Minor | 2 | 7A | 142 BPM |
- ISRC
- JPF691200222
- Label
- L-M Records/RCA Records