Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Josef Metternich's ' "Gasparone: "O dass ich doch ein Räuber wäre" (Fremder)" was released on its scheduled release date, September 5, 2014. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Anny Schlemm, Josef Metternich's "Millöcker: Gasparone" album is number 12 out of 35. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Gasparone: "O dass ich doch ein Räuber wäre" (Fremder) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gasparone: "O dass ich doch ein Räuber wäre" (Fremder) by Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Josef Metternich to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture in E-Flat Major | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | D Major | 2 | 10B | 125 BPM | ||
| Der Bettelstudent, Act I: Introduction | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer | B♭ Major | 3 | 6B | 92 BPM | ||
| Act I, 9 Pas de Cinq: Grand Allegro Duet Variation | Édouard Deldevez, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Herbert von Karajan, Berliner Philharmoniker | C Minor | 1 | 5A | 135 BPM | ||
| Aida: Triumphmarsch | Giuseppe Verdi, Marko Munih, RSO Ljubljana | E♭ Major | 1 | 5B | 100 BPM | ||
| Apajune, der Wassermann: Apajune-Marsch | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | D Major | 2 | 10B | 108 BPM | ||
| Der Bettelstudent: Ich knüpfte manche zarte Bande | Carl Millöcker, Fritz Wunderlich, Alois Melichar | G Major | 2 | 9B | 86 BPM | ||
| Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) | Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Chor der Wiener Staatsoper in der Volksoper, Wiener Symphoniker, Renate Holm, Jürgen Förster, Karl Dönch, Wolfgang Anheisser, Willi Boskovsky | G Major | 2 | 9B | 109 BPM | ||
| Der Bettelstudent - operetta in 3 Acts: Jeder Ton spricht davon | Carl Millöcker, Ingeborg Hallstein, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | A Major | 3 | 11B | 68 BPM | ||
| Persischer Marsch | Johann Strauss Orchester | G Minor | 3 | 6A | 117 BPM | ||
| Der Bettelstudent, Act I: "Das ist der Fürst Wibicki" - "Racheplan-Chor" (Ollendorf, Bronislawa, Laura, Palmatica, Chor) | Carl Millöcker, Sinfonieorchester des Hessischen Rundfunks, Kurt Schröder, Georg Stern, Maria Madlen Madsen, Betina Brucker, Else Tegetthoff, Chor Des Hessischen Rundfunks | G Minor | 4 | 6A | 91 BPM | ||
| Als flotter Geist | Rudolf Schock | D Major | 2 | 10B | 80 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Kálmán: Die Csárdásfürstin, Act 2: "Tanzen möcht' ich" - "Tausend kleine Engel singen" (Sylva, Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Nicolai Gedda, Willy Mattes, Symphonie-Orchester Graunke | D Major | 3 | 10B | 93 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
| Der Bettelstudent, Act I: "Die Welt hat das genialste Streben" | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer | C Major | 3 | 8B | 95 BPM | ||
| Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
| Im chambre séparée | Richard Heuberger, Anna Netrebko, Piotr Beczala | D Major | 1 | 10B | 171 BPM | ||
| Gasparone: "Azoletto sang: Komm, mia bella" - "Diese wunderbare Frau" (Sora, Benozzo, Chor, Fremder, Nasoni, Luigi) | Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Herta Talmar, Willy Hofmann, Kölner Rundfunkchor, Josef Metternich, Benno Kusche, Herbert Hennies | A Major | 5 | 11B | 111 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Der Bettelstudent, Act I: Und da soll man noch galant sein | Carl Millöcker, Kurt Böhme, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | F Major | 4 | 7B | 100 BPM |