"The Crossing" by Lachlan Skipworth, Syzygy Ensemble had its release date on March 18, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Chamber Works, Vol. 2 by Lachlan Skipworth. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of The Crossing is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Crossing by Lachlan Skipworth, Syzygy Ensemble is Presto (very, very fast), since this song has a tempo of 199 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for Cello & Orchestra) | Pyotr Ilyich Tchaikovsky, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | F♯ Major | 1 | 2B | 86 BPM | ||
| Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
| Aimez-moi from Six Chansons du XVI Siècle | Pauline Viardot, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 83 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Libro primo d'intavolatura di chitarone: Toccata seconda arpeggiata | Giovanni Girolamo Kapsberger, Rolf Lislevand | A Major | 2 | 11B | 135 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| Prelude in C Minor, F. 29 (Transcr. for Harp) | Wilhelm Friedemann Bach, Magdalena Hoffmann | A Minor | 1 | 8A | 112 BPM | ||
| Snow White: XIII. Crystal Coffin | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Folk song from Dalarna, Sweden: Gammal fäbodpsalm | Traditional, Tor Jaran Apold, Torgeir Kinne Solsvik | A Minor | 0 | 8A | 84 BPM | ||
| O Virtus Sapientiae (Arr. for Violin and String Quintet by Penelope Axtens) | Hildegard von Bingen, Esther Abrami, Esther Abrami Ensemble | A Major | 2 | 11B | 83 BPM | ||
| Tomorrowday | Lavinia Meijer | A♭ Minor | 2 | 1A | 78 BPM | ||
| Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
| Talisman: II. Contemplatif | Karol Beffa, Sanja Bizjak, Patrick Messina, Lyodoh Kaneko, Young-Eun Koo, Allan Swieton, Marlène Rivière | G Minor | 0 | 6A | 168 BPM | ||
| Mabel Kelly (Arr. Danish String Quartet) | Turlough O'Carolan, Danish String Quartet | C Major | 0 | 8B | 58 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | ||
| Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
| Herr Jesu Christ, meins Lebens Licht, BWV 335 | Johann Sebastian Bach, Martin Fröst, Jonas Nordberg | E Major | 1 | 12B | 130 BPM | ||
| We Are (Arr. for Cello and Orchestra by Julian Riem) | Yuriy Shevchenko, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko | G Major | 2 | 9B | 86 BPM | ||
| Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Adagio for Strings, Op. 11 - Live | Samuel Barber, Keller Quartett | B♭ Minor | 1 | 3A | 93 BPM | ||
| Mortal | Oliver Davis, Huw Watkins, Royal Philharmonic Orchestra, Julian Kershaw, Kerenza Peacock | E♭ Major | 0 | 5B | 74 BPM |