Rutland Boughton, BBC Concert Orchestra, Roderick Williams's ' "Fair is Our Lot" was released on its scheduled release date, January 1, 2007. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Sea Fever: Songs By British Composers". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Fair is Our Lot is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fair is Our Lot by Rutland Boughton, BBC Concert Orchestra, Roderick Williams having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thumbelina Suite: IV. Sad Song | Alla Pavlova, Moscow Tchaikovsky Symphony Orchestra, Patrick Baton | D Minor | 1 | 7A | 68 BPM | ||
| Adagio - Spartacus | Aram Khachaturian, Royal Liverpool Philharmonic Orchestra, Libor Pešek | A♭ Major | 1 | 4B | 116 BPM | ||
| Peter and the Wolf, Op. 67: Introduction | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Minor | 1 | 6A | 110 BPM | ||
| Vaughan Williams: Songs of Travel: No. 9, I Have Trod the Upward and the Downward Slope (Version with Orchestra) | Ralph Vaughan Williams, Thomas Allen, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D Major | 1 | 10B | 135 BPM | ||
| Qui habitat à 24 | Josquin des Prez, Huelgas Ensemble, Paul Van Nevel | F Major | 3 | 7B | 106 BPM | ||
| The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain) | Rutland Boughton, Anne Dawson, Alan G. Melville, English Chamber Orchestra | D♭ Major | 4 | 3B | 85 BPM | ||
| Song of the Angel | John Tavener, Academy of Ancient Music, Paul Goodwin, Andrew Manze, Patricia Rozario | E Major | 0 | 12B | 71 BPM | ||
| Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
| 3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast | Rutland Boughton, New London Orchestra, Ronald Corp | D Major | 1 | 10B | 99 BPM | ||
| Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F♯ Minor | 1 | 11A | 139 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Das Rheingold / Vierte Szene: Entry Of The Gods Into Valhalla | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 1 | 3B | 86 BPM | ||
| Romance from "The Gadfly" | Dmitri Shostakovich, Yevgeny Kutik, Timothy Bozarth | C Major | 1 | 8B | 88 BPM | ||
| Prayer of St. Gregory, Op. 62b | Alan Hovhaness, Charles Butler, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 92 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| My Heart's in the Highlands (2000) | Arvo Pärt, Christopher Bowers-Broadbent, David James | F Minor | 0 | 4A | 74 BPM | ||
| Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, André Cluytens, Choeurs Elisabeth Brasseurs, Henriette Puig-Roget, Orchestre De La Société Des Concerts Du Conservatoire | F Major | 1 | 7B | 81 BPM | ||
| Liturgy of St. John Chrysostom for Chorus, Op. 31: I. "The Great Ektenia..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
| Requiem, Op. 5 (Grande Messe des Morts): 7. Domine Jesu Christe | Hector Berlioz, The Cleveland Orchestra Chorus, The Cleveland Orchestra, Lorin Maazel | G Minor | 0 | 6A | 84 BPM | ||
| The Immortal Hour, Act I Scene 1: No. 21, There Is No Backward Way for Such as I (Eochaidh, Dalua) | Rutland Boughton, Alan G. Melville, English Chamber Orchestra, David Wilson-Johnson, Roderick Kennedy | G Major | 1 | 9B | 65 BPM | ||
| London Pride | Noel Coward | D Major | 1 | 10B | 96 BPM | ||
| Adams: Nixon in China: Act I, Scene 3 - Cheers | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 3 | 7B | 102 BPM | ||
| Grande messe des morts, Op. 5, "Requiem": Hostias | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Minor | 0 | 3A | 131 BPM | ||
| Baïlèro, Serie 1, No. 2 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Major | 2 | 6B | 87 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM |