"Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live)" by Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni had its release date on October 7, 2014. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Giampiero Malaspina, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro La Scala di Milano, Gianandrea Gavazzeni, Enrico Campi, Gabriella Carturan, Athos Cesarini, Angelo Mercuriali, Giuseppe Morresi, Pinuccia Perotti, Anna Maria Rota. The song's track number on the album is #20 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live) by Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live) being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zandonai: Francesca da Rimini: "O, Biancofiore" | Riccardo Zandonai, Saioa Hernández, Carlo Montanaro, Orquesta Sinfónica de Madrid | C Minor | 1 | 5A | 80 BPM | ||
| Francesca da Rimini, Act II: Paolo! Paolo! (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Athos Cesarini, Gianandrea Gavazzeni | G Major | 2 | 9B | 77 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | ||
| Francesa da Rimini, Act III: "Inghirlandata di violette m'appariste ieri" | Riccardo Zandonai, Plácido Domingo, Renata Scotto, James Levine, Metropolitan Opera Orchestra | F♯ Minor | 1 | 11A | 76 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova | D♭ Major | 0 | 3B | 76 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Mia cara donna, voi m'attendevate? | Riccardo Zandonai, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | ||
| La Gioconda / Act 1: E cantan su lor tombe! | Amilcare Ponchielli, Sherrill Milnes, Montserrat Caballé, Alfreda Hodgson, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 0 | 10B | 165 BPM | ||
| Francesca da Rimini, Act II: Benvenuto, signore mio cognato (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | A Minor | 2 | 8A | 102 BPM | ||
| La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Bellini: I Capuleti e i Montecchi, Act 1 Tableau 1 Scene 6: "Vieni, ah! vieni, e in me riposa … Cedi, ah! cedi un sol momento" (Romeo, Giulietta) | Vincenzo Bellini, Janet Baker, Giuseppe Patanè, New Philharmonia Orchestra | G Major | 1 | 9B | 0 BPM | ||
| Emigrantes: "Adiós, Granada" (Tordiyo) | Rafael Calleja, Tomás Barrera, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 68 BPM | ||
| La Bohème / Act 1: "Si sente meglio?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
| Un ballo in maschera, Act I: S'avanza il conte - La rivedrà nell'estasi - Il cenno mio | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| L'elisir d'amore / Act I: "Adina credimi" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Leo Nucci, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 64 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM |