"Macbeth: Perfidi!... Pietà, rispetto, amore" by Compagnia D'Opera Italiana, Alberto Gazale, Antonello Gotta had its release date on January 9, 2012. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi's Famous Choruses by Compagnia D'Opera Italiana. The song's track number on the album is #2 out of 11 tracks. Macbeth: Perfidi!... Pietà, rispetto, amore is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth: Perfidi!... Pietà, rispetto, amore by Compagnia D'Opera Italiana, Alberto Gazale, Antonello Gotta has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Macbeth: Perfidi!... Pietà, rispetto, amore being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
| Pigmalione: "Bel nume, che adoro" - Full Vocal Version | Domenico Cimarosa, Compagnia D'Opera Italiana, Antonello Gotta, Filippo Pina Castiglioni | G Minor | 3 | 6A | 78 BPM | ||
| Die Zauberflöte, K. 620 | Rachel Rosales, John Landor, Bulgarian National Radio Symphony Orchestra | D Major | 2 | 10B | 177 BPM | ||
| Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Philharmonia Orchestra, Siegmund Nimsgern, Lucia Popp, Andrew Davis, Ambrosian Singers | F♯ Major | 0 | 2B | 62 BPM | ||
| Zappatore | Luca Lupoli, Compagnia D'Opera Italiana, Antonello Gotta | C Minor | 4 | 5A | 127 BPM | ||
| I Capuleti e i Montecchi: Se Romeo t'uccise un figlio - La tremenda ultrice spada | Vincenzo Bellini, Compagnia D'Opera Italiana, Antonello Gotta, Santina Lanza, Chorus of Compagnia d'Opera Italiana | G Major | 2 | 9B | 114 BPM | ||
| Songs of Travel: IV. Youth and Love | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | G Major | 0 | 9B | 167 BPM | ||
| Puccini: Turandot, Act 3: "Nessun dorma!" (Calaf, Chorus) | Giacomo Puccini, Alain Lombard, Choeurs De L'Opera Du Rhin, Orchestre Philharmonique De Strasbourg | E♭ Major | 0 | 5B | 90 BPM | ||
| Pour un basier! - Version for Voice and Orchestra, Full Vocal Version | Francesco Paolo Tosti, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco | G Major | 3 | 9B | 83 BPM | ||
| Giulio Cesare in Egitto: Quando voglio (Aria) | Antonio Sartorio, Regula Mühlemann | F♯ Minor | 2 | 11A | 82 BPM | ||
| Bizet's Les Pecheurs de perles: Je Crois Entendre Encore | Jussi Björling | C Minor | 3 | 5A | 91 BPM | ||
| Lucia di Lammermoor: Act III: Eccola! Oh, giusto cielo!... Il dolce suono | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | F Minor | 1 | 4A | 79 BPM | ||
| La favorita: "Spirto gentil" (Fernando) - Full Vocal Version | Gaetano Donizetti, Compagnia D'Opera Italiana, Antonello Gotta, Francesco Paolo Panni | G Minor | 3 | 6A | 78 BPM | ||
| Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius) | Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists | B Minor | 0 | 10A | 101 BPM | ||
| Marechiare - Version for Voice and Orchestra, Full Vocal Version | Francesco Paolo Tosti, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco | D Minor | 4 | 7A | 133 BPM | ||
| La mia canzone! - Version for Voice and Orchestra, Full Vocal Version | Francesco Paolo Tosti, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco | A♭ Major | 3 | 4B | 84 BPM | ||
| Le nozze di Figaro, K. 492, Act I: No. 10, Non più andrai | Wolfgang Amadeus Mozart, Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | G Major | 2 | 9B | 133 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| Adriana Lecouvreur: "Io son l'umile ancella" (Adriana) - Full Vocal Version | Francesco Cilea, Compagnia D'Opera Italiana, Antonello Gotta, Angela Venturino | A♭ Major | 1 | 4B | 138 BPM | ||
| Rigoletto: atto I°: Caro nome | Corinna Catelli Panza, Antonello Gotta, Compagnia D'Opera Italiana | E Major | 1 | 12B | 118 BPM | ||
| Die Zauberflöte - Arie: Ach, Ich Fühl's | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 0 | 9B | 85 BPM | ||
| Stabat mater dolorosa (a due) | Giovanni Battista Pergolesi, Julia Faulkner, Anna Gonda, Camerata De Budapest, Michael Halasz | G Major | 1 | 9B | 87 BPM | ||
| A Casa Amiche | Carmine Coppola | C Major | 2 | 8B | 85 BPM | ||
| Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
| Tannhäuser: Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 168 BPM |