Chris Murray's ' "California Times" was released on its scheduled release date, January 1, 2001. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 4-Trackaganza!, so we believe that "California Times" is a single. California Times is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of California Times by Chris Murray is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 85 BPM | ||
| Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
| String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: I. Andante – Poco più animato | Johannes Brahms, Barry Tuckwell, Itzhak Perlman, Vladimir Ashkenazy | F Minor | 1 | 4A | 134 BPM | ||
| Rhapsody In Blue | George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | A Major | 2 | 11B | 74 BPM | ||
| Africa: Land Of Romance | William Grant Still, Fort Smith Symphony | G Minor | 0 | 6A | 117 BPM | ||
| String Quartet, M. 35: III. Très lent | Maurice Ravel, Emerson String Quartet | D♭ Major | 0 | 3B | 89 BPM | ||
| Symphony No. 1, "Afro-american": Ii. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony | F Major | 0 | 7B | 55 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 84 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Pezzo capriccioso for Cello and Orchestra, Op. 62 | Pyotr Ilyich Tchaikovsky, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | B Minor | 1 | 10A | 74 BPM | ||
| Glassworks: Opening | Philip Glass, Víkingur Ólafsson | E♭ Major | 0 | 5B | 213 BPM | ||
| Meditation From Thais | Jules Massenet, Hee-young Lim | E Minor | 1 | 9A | 84 BPM | ||
| Carmen Suite No. 2: II. Habanera | Georges Bizet, David Parry, London Philharmonic Orchestra | D Major | 0 | 10B | 121 BPM | ||
| Tick Tock | Eastern Standard Time | B♭ Minor | 9 | 3A | 165 BPM | ||
| Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Allegro con moto - Live | Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | A♭ Major | 4 | 4B | 128 BPM | ||
| White Riot | Jazzbo | D♭ Major | 5 | 3B | 128 BPM | ||
| Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM |