The Planets, Op.32: VI: Uranus, the Magician (arr. by B. Mogensen & R. S. Kjøller) by Gustav Holst, Mythos, Bjarke Mogensen, Rasmus Schjærff Kjøller Song Details

"The Planets, Op.32: VI: Uranus, the Magician (arr. by B. Mogensen & R. S. Kjøller)" by Gustav Holst, Mythos, Bjarke Mogensen, Rasmus Schjærff Kjøller had its release date on May 1, 2020. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Gustav Holst, Mythos, Bjarke Mogensen, Rasmus Schjærff Kjøller's "Helios and the Planets" album is number 7 out of 8. On top of that, Denmark appears to be the country where this track was created. The Planets, Op.32: VI: Uranus, the Magician (arr. by B. Mogensen & R. S. Kjøller) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of The Planets, Op.32: VI: Uranus, the Magician (arr. by B. Mogensen & R. S. Kjøller) by Gustav Holst, Mythos, Bjarke Mogensen, Rasmus Schjærff Kjøller to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -24.956 dB
Acousticness: 91%
Danceability: 13%
Energy: 1%
Instrumentalness: 22%
Liveness: 14%
Loudness: 58%
Speechiness: 4%
Valence: 3%

Recommendations

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Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Pines Of Rome	Chicago Symphony Orchestra	F Major	2	7B	80 BPM
English Folk Song Suite: 1. March: Seventeen come Sunday	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	F Minor	2	4A	121 BPM
Finlandia, Op. 26	Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales	A♭ Major	2	4B	70 BPM
Irish Tune from County Derry	Percy Grainger, Dallas Wind Symphony, Jerry Junkin	E♭ Major	2	5B	101 BPM
First Choral Symphony, Op. 41, H. 155, IV, Finale: VIb. Bards of Passion and of Mirth (Chorus)	Gustav Holst, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus, Sir Andrew Davis	F♯ Minor	0	11A	79 BPM
Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	45 BPM
Tahiti Trot	Vincent Youmans, Concertgebouworkest, Riccardo Chailly	A♭ Major	1	4B	85 BPM
Carmen Suite No. 1: 2. Aragonaise	Georges Bizet, Orchestre de Paris, Semyon Bychkov	D Minor	0	7A	120 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	80 BPM
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Thema, "Chorale St. Antoni". Andante	Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski	B♭ Major	0	6B	175 BPM
Night on Bald Mountain	Modest Mussorgsky, Leonard Bernstein, New York Philharmonic	D Major	2	10B	105 BPM
The Sorcerer's Apprentice	Philharmonia Orchestra	D♭ Major	2	3B	130 BPM
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra	E Minor	1	9A	70 BPM
Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio -	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	1	10B	74 BPM
Florida Suite: II. By the River	Frederick Delius, English Northern Philharmonia, David Lloyd-Jones	G Major	0	9B	68 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII	Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra	D♭ Major	1	3B	61 BPM
Pines of Rome, P. 141: IV. I pini della Via Appia	Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan	B Major	3	1B	166 BPM
Petite suite de concert, Op. 77: II. Demande et reponse	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	G Major	0	9B	90 BPM
Holberg Suite, Op. 40: IV. Air (Andante religioso)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	C Major	1	8B	79 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM