On August 9, 2024, the song "Sonate e Partite: No. 57, Allegretto moderato (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 20 in Francesco Lecce: 67 Sonate e Partite, No. 51 - 67. Works for Unaccompanied Violin Recomposed for Solo Flute & Mandolin Concerto in G Major Recomposed for solo flute by Luca Astolfoni Fossi, Book III by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 57, Allegretto moderato (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 57, Allegretto moderato (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto grosso No. 1 in A Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 0 | 3B | 79 BPM | ||
| Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 79 BPM | ||
| Suite In G Minor (Suite En Sol Mineur): Prélude | Marin Marais | F♯ Minor | 1 | 11A | 88 BPM | ||
| Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Sonate e Partite: No. 53, Allegro giusto (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | F Major | 2 | 7B | 70 BPM | ||
| Musique de table 'Tafelmusik', Solo Sonata in G minor (oboe & strings): I. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 1 | 11A | 79 BPM | ||
| Concerto a cinque No. 6, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 112 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 10: III. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 125 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: II. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | F♯ Minor | 3 | 11A | 108 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Ouverture-Suite In D Major TWV 55:D6: V. Bourée | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 3 | 4B | 129 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 6 No. 7, HWV 325: II. Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | A Major | 2 | 11B | 79 BPM | ||
| Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
| Concerto Armonico No. 5 in F Minor: Da capella | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 132 BPM | ||
| Viola da gamba Sonata in G Minor, A2:56a: III. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella, Thomas Boysen | F♯ Minor | 2 | 11A | 150 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Mystery Sonata No. 10 "The Crucifixion": II. Aria - Variations | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Concerto grosso No. 2 in G Major: IV. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 92 BPM | ||
| Sonata quarta in B minor, Parte Prima: III. Adagio | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
| Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
| Divertimento à 3 in D Major: III. Allegro | Ignaz Holzbauer, Camerata Köln | D♭ Major | 1 | 3B | 108 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM |