"O salutaris hostia" by Pierre de la Rue, New York Polyphony had its release date on March 5, 2021. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 16 in And the Sun Darkened: Music for Passiontide by New York Polyphony. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. O salutaris hostia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O salutaris hostia by Pierre de la Rue, New York Polyphony is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lumen Novissimae Fidelitatis | Cistercian Monks of Stift Heiligenkreuz, Gregorian Chant Ensemble, Magna Canta | D Major | 0 | 10B | 81 BPM | ||
| Ricercate | Vincenzo Capirola, Rolf Lislevand Ensemble | G Minor | 2 | 6A | 82 BPM | ||
| Beata Viscera I | Pérotin, Apollo5 | A Minor | 0 | 8A | 67 BPM | ||
| Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Hymn of Vesting | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 131 BPM | ||
| Agní parthéne | Nectarios of Aegina, N. Sysoeva, Alexander Manotskov, Choir of the Church of Birth of St. John the Baptist, Kamenny Island, Olga Bondarevskaya | F Minor | 1 | 4A | 121 BPM | ||
| Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | E Minor | 0 | 9A | 123 BPM | ||
| Hear My Prayer, O Lord | Henry Purcell, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
| In the Shining Blackness | Benjamin Rimmer, Exaudi Vocal Ensemble, James Weeks | D Minor | 1 | 7A | 67 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
| Missa Iste confessor domini: Christe Ic | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | F Major | 0 | 7B | 79 BPM | ||
| Fontana che dai acqua | Giovanni Domenico del Giovane da Nola, Shirley Rumsey | E Major | 0 | 12B | 71 BPM | ||
| Miserere mei Deus, C. 116: VI. Docebo iniquos vias tuas | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 2 | 3B | 107 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| 0 radiant dawn | Ars Poliphonica | F Major | 0 | 7B | 79 BPM | ||
| In ieiunio et fletu | Thomas Tallis, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 75 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Gloria (recons. M. Bent): Gloria in canon [reconstructed M. Bent] | John Dunstable, Tonus Peregrinus, Antony Pitts | F♯ Major | 3 | 2B | 113 BPM | ||
| Parce mihi, Domine | Cristobal de Morales, De Profundis, Eamonn Dougan | F Major | 0 | 7B | 130 BPM | ||
| Sancte Francisce Propera | Costanzo Porta, The Rose Ensemble, Jordan Sramek | A Major | 1 | 11B | 77 BPM | ||
| Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | ||
| Maria stabat ad momentum (Concerti, 1587) | Andrea Gabrieli, Gabrieli, Paul McCreesh, Timothy Roberts | F Major | 1 | 7B | 70 BPM |