"The Wasps, Act III: Procleon "Great Wine They Had at That Dinner!"" by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé had its release date on March 6, 2006. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Wasps, Act III: Procleon "Great Wine They Had at That Dinner!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: The Wasps by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé. The song's track number on the album is #12 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Wasps, Act III: Procleon "Great Wine They Had at That Dinner!" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Wasps, Act III: Procleon "Great Wine They Had at That Dinner!" by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With The Wasps, Act III: Procleon "Great Wine They Had at That Dinner!" being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade to Music | Ralph Vaughan Williams, Christopher Seaman, Juliana Athayde, Mercury Opera Rochester, Rochester Philharmonic Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
| Khachaturian: Suite No. 2 from Spartacus: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 101 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Ma mère l'oye, M. 60 (Version for Orchestra): I. Pavane de la belle au bois dormant | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 72 BPM | ||
| Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | ||
| Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
| Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
| El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Norfolk Rhapsody No. 1 | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro) | Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 153 BPM | ||
| Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 125 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| The House of Life: No. 2, Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | F Major | 3 | 7B | 150 BPM | ||
| Symphony No. 5 in D Major: III. Romanza: Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | D♭ Minor | 1 | 12A | 92 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
| Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
| Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM |