- BPM
- 129
- Key
- F♯ Major
- Camelot
- 2B
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra Song Details
"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra had its release date on May 2, 1978. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
Music Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 20%
- Loudness
- -25.459 dB
- Acousticness
- 98%
- Danceability
- 16%
- Energy
- 7%
- Instrumentalness
- 69%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations on a theme of Frank Bridge, Op. 10: VI. Bourrée classique | Benjamin Britten, English Chamber Orchestra | D Major | 2 | 10B | 103 BPM | |
 | Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | |
 | Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | |
 | The Dream of Gerontius, Op. 38 / Part 1: "Jesu, Maria, I Am Near To Death" | Edward Elgar, Sir Peter Pears, Choir of King's College, Cambridge, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | E♭ Major | 1 | 5B | 139 BPM | |
 | Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | D Minor | 3 | 7A | 134 BPM | |
 | The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | F Minor | 0 | 4A | 74 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | |
 | The Gadfly, Op. 97: No. 4, Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | |
 | Verklärte Nacht, Op. 4 (Version for String Orchestra): IV. Adagio (Bar 229) | Arnold Schoenberg, Danish National Symphony Orchestra, Fabio Luisi | D Major | 2 | 10B | 79 BPM | |
 | The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso) | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | D♭ Major | 1 | 3B | 132 BPM | |
 | 2 Elegiac Melodies, Op. 34: No. 2 Last Spring. Andante | Edvard Grieg, Eugene Ormandy, Philadelphia Orchestra | E Major | 1 | 12B | 138 BPM | |
 | Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: In Tempo I zurückkehren | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | A♭ Major | 0 | 4B | 84 BPM | |
 | Appalachian Spring Suite: III. The Bride and Her Intended. Moderato | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Minor | 0 | 12A | 170 BPM | |
 | Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | G Minor | 8 | 6A | 170 BPM | |
 | Siegfried, WWV 86C, Act I: His Wanderings Through the Forest (Forest Murmurs) | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | A Major | 0 | 11B | 67 BPM | |
 | Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Introduction - Fête populaire de la semaine grasse (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | D Major | 9 | 10B | 142 BPM | |
 | Symphony No. 1 in A-Flat Major, Op. 55: IV. Lento - Allegro | Edward Elgar, BBC Philharmonic, George Hurst | D Major | 2 | 10B | 79 BPM | |
 | Satie: En habit de cheval: No. 1, Choral (Orchestral Version) | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | B♭ Major | 4 | 6B | 157 BPM | |
 | The Ash Grove | Traditional, Sir Peter Pears, Benjamin Britten | A♭ Major | 1 | 4B | 94 BPM | |
 | Symphony No. 3 in E-Flat Major, Op. 20 "1st of May": Ib. Andante | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | F Major | 0 | 7B | 87 BPM | |
 | Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | |
 | Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM | |
| Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): In ruhig fliessender Bewegung | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Minor | 0 | 4A | 174 BPM | |
 | Suite for Cello and Orchestra, Op. 16: Romance | Camille Saint-Saëns, Steven Isserlis, Christoph Eschenbach | E Major | 0 | 12B | 99 BPM |
- ISRC
- USSM11304088
- Label
- L-M Records/RCA Records