Elizabeth Maconchy, The Britten String Quartet, Thea King's 'Clarinet Quintet: I. Poco lento' had a release date set for July 1, 1991. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Thea King, Herbert Howells, The Britten String Quartet, Arnold Cooke, Elizabeth Maconchy, Benjamin Frankel, Joseph Holbrooke's "Howells, Cooke, Maconchy & Frankel: Clarinet Quintets" album is number 5 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Clarinet Quintet: I. Poco lento's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Clarinet Quintet: I. Poco lento by Elizabeth Maconchy, The Britten String Quartet, Thea King to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lullaby: Lullaby on an Ancient Irish Tune (1909 Version) | Rebecca Clarke, Philip Dukes, Sophia Rahman | E Major | 0 | 12B | 67 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| IV. Allegro | Alice Mary Smith, Howard Shelley, London Mozart Players | F Major | 0 | 7B | 78 BPM | ||
| No. 1, Ubi caritas et amor | Maurice Duruflé, Choir of St John's, Elora, Noel Edison | A Major | 0 | 11B | 67 BPM | ||
| The Garland: III. I Would I Were a Mirror | Elizabeth Maconchy, Joanna Songi, Matthew Fletcher | A Minor | 1 | 8A | 172 BPM | ||
| Creation | William Billings, His Majestie's Clerkes, Paul Hillier | A Major | 1 | 11B | 103 BPM | ||
| Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | B♭ Major | 0 | 6B | 68 BPM | ||
| Sussex Mummers Carol | Lorinda Jones | F Major | 1 | 7B | 102 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| The Sofa: Oh, What an Intriguing, Fascinating Situation! (Edward, Lucille, Laura, Yolande, Dominic, Monique, Chorus) | Elizabeth Maconchy, Dominic Wheeler, Independent Opera Orchestra, George von Bergen, Nicholas Sharratt, Alinka Kozári, Sarah Tynan, Anna Leese, Patricia Orr | C Major | 2 | 8B | 81 BPM | ||
| The Shepherd's Carol | Bob Chilcott, Utah State University Chamber Singers, Cory Evans | D Major | 0 | 10B | 110 BPM | ||
| Annunciation | Judith Bingham, Matthew Fletcher, Geoffrey Webber | A♭ Major | 0 | 4B | 98 BPM | ||
| Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
| Nativity Carol | John Rutter, Franck, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | D Major | 1 | 10B | 82 BPM | ||
| Ave Maria | Igor Stravinsky, Gregg Smith Singers, Robert Craft | B♭ Major | 1 | 6B | 59 BPM | ||
| Pueri concinite | Jacobus Gallus, Choeur Concinite de Louvain, Aerts Karel | G Major | 1 | 9B | 69 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | D♭ Major | 0 | 3B | 177 BPM | ||
| Pärt: 7 Magnificat-Antiphonen: No. 5, O Morgenstern (1991 Version) | Arvo Pärt, Vasari Singers, Jeremy Backhouse | D♭ Minor | 1 | 12A | 101 BPM | ||
| Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
| O Come, All Ye Faithful, from Anniversary Carols | Jackson Berkey, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | A Major | 2 | 11B | 120 BPM | ||
| Benedicamus Domino | Peter Warlock, Choir of King's College, Cambridge, Daniel Hyde | C Major | 4 | 8B | 91 BPM | ||
| Wind Quintet: V. Allegretto | Elizabeth Maconchy, Lumas Winds | F Major | 1 | 7B | 119 BPM | ||
| Zu Bethlehem geboren | Franz Biebl, Sonat Vox, Motley Brass, Justus Merkel | A Major | 0 | 11B | 126 BPM |