Carl Orff, Australian Virtuosi, Cantillation, Antony Walker, Synergy's 'Carmina Burana, 2. In Taberna: 14. "In taberna quando sumus"' had a release date set for 2002. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Australia. Based on our statistics, Carmina Burana, 2. In Taberna: 14. "In taberna quando sumus"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana, 2. In Taberna: 14. "In taberna quando sumus" by Carl Orff, Australian Virtuosi, Cantillation, Antony Walker, Synergy having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
| Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | ||
| Overture 1812, Op. 49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
| La Cabalgata De Las Valkirias - De La Opera "La Valkiria" | Richard Wagner, Inma Shara | B Major | 3 | 1B | 94 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
| Funeral March | Philharmonic Wind Orchestra, Marc Reift Orchestra | C Major | 0 | 8B | 118 BPM | ||
| Carmen, Act I: No.5 Habanera : L'amour est un oiseau rebelle (Carmen/Cigarières/Jeunes gens/Dragons) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 124 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Chaconne in G Minor | Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser | G Minor | 4 | 6A | 80 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D Minor | 7 | 7A | 94 BPM | ||
| Prometheus: Scene 6, Welches Land? Welcher Stamm? | Carl Orff, Rafael Kubelík, Roland Hermann, Colette Lorand, Erika Rüggeberg, Isolde Mitternacht, Julia Falk, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks | D Major | 1 | 10B | 96 BPM | ||
| Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Simone Stella | D Minor | 1 | 7A | 90 BPM | ||
| Czárdás | Vittorio Monti, Angèle Dubeau, La Pietà | D Major | 1 | 10B | 81 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Strauss Jr., J.: Frühlingsstimmen, Op. 410 (Excerpt) | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 112 BPM | ||
| Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 4 | 11A | 82 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act I: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E Minor | 2 | 9A | 87 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: In taberna quando sumus | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
| L'Apprenti sorcier | Paul Dukas, Yan Pascal Tortelier, Ulster Orchestra | F Minor | 4 | 4A | 117 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: III. Allegro non troppo | Camille Saint-Saëns, Johannes Moser, Radio Sinfonieorchester Stuttgart des SWR, Fabrice Bollon | D Major | 1 | 10B | 177 BPM | ||
| Requiem in D minor, KV 626: III. Sequenz: N°6 Lacrimosa | Schola Cantorum Cantate Domino | D Major | 1 | 10B | 85 BPM | ||
| Symphony no. 5 in Cm, Op. 67 - I. Allegro con brio | Beethoven | C Minor | 2 | 5A | 98 BPM |