Paul Reade, Pumeza Matshikiza, English Chamber Orchestra, Robin O'Neill's ' "Chants du Roussillon: I. Are vé lo mes de maig" was released on its scheduled release date, March 17, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 18 in A Celebration of Paul Reade by Paul Reade, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Chants du Roussillon: I. Are vé lo mes de maig is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Chants du Roussillon: I. Are vé lo mes de maig by Paul Reade, Pumeza Matshikiza, English Chamber Orchestra, Robin O'Neill is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 110 BPM | ||
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
| Victorian Kitchen Garden Suite: I. Prelude (Version for clarinet and piano) | Paul Reade, Jerome Summers, Robert Kortgaard | C Major | 2 | 8B | 78 BPM | ||
| Bizet: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
| The Ashokan Farewell | Jay Ungar, Nil, Captain John Perkins, The Band Of H.M. Royal Marines, Plymouth | D Major | 0 | 10B | 88 BPM | ||
| 3 Romances sans paroles, Op. 17, No. 3 | Gabriel Fauré, Thérèse Ryan, Francine Chabot | A Major | 0 | 11B | 85 BPM | ||
| O Waly Waly (Arr. Jessica Wells and Sally Maer) | Sally Maer, Melbourne Symphony Orchestra, Benjamin Northey | A Major | 1 | 11B | 104 BPM | ||
| The Blue Mountains | Sally Greenaway, Graham Ross, Royal College of Music Symphony Orchestra | A Minor | 1 | 8A | 91 BPM | ||
| Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | ||
| Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, John Rutter, Manchester Camerata, David Tollington | G Major | 0 | 9B | 71 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| The Strawberry Thief | Sally Greenaway, David Shaw, Samuel Payne, Edward Neeman | E Minor | 1 | 9A | 72 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | ||
| Symphony | Valen Rosset | C Major | 1 | 8B | 135 BPM | ||
| Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra | E Major | 0 | 12B | 62 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Suite Lyrique: 3. Aria | John Rutter, Catrin Finch, Sinfonia Cymru | E Minor | 1 | 9A | 128 BPM | ||
| À Chloris (Arr. for Cello and Orchestra) | Reynaldo Hahn, Sol Gabetta, Prague Philharmonic Orchestra, Charles Olivieri-Munroe | E Major | 0 | 12B | 75 BPM | ||
| Serenade for Orchestra | William Grant Still, Royal Scottish National Orchestra, Avlana Eisenberg | A Major | 1 | 11B | 77 BPM | ||
| Tambourin | Donald Sosin, Francois-Joseph Gossec, Nora Shulman, Judy Loman | F Major | 1 | 7B | 136 BPM | ||
| In a Monastery Garden | Albert Ketèlbey, Slovak Philharmonic Male Chorus, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 0 | 7B | 75 BPM |