- BPM
- 78
- Key
- C Major
- Camelot
- 8B
Victorian Kitchen Garden Suite: I. Prelude (Version for clarinet and piano) by Paul Reade, Jerome Summers, Robert Kortgaard Song Details
"Victorian Kitchen Garden Suite: I. Prelude (Version for clarinet and piano)" by Paul Reade, Jerome Summers, Robert Kortgaard had its release date on January 1, 2008. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 1 out of 19 in Clarinet Recital: Summers, Jerome - Reade, P. / Wuensch, G. / Aranyi-Aschner, G. / Poulenc, F. / Haddad, D. / Arnold, M. by Jerome Summers. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Victorian Kitchen Garden Suite: I. Prelude (Version for clarinet and piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Victorian Kitchen Garden Suite: I. Prelude (Version for clarinet and piano) by Paul Reade, Jerome Summers, Robert Kortgaard is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -13.265 dB
- Acousticness
- 91%
- Danceability
- 9%
- Energy
- 19%
- Instrumentalness
- 73%
- Liveness
- 11%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenata for Wind Sextet: II. Moderato | Paul Reade, London Winds | B♭ Minor | 0 | 3A | 134 BPM | |
 | The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | |
 | Concertino bianco: 1. Con intenerimento | Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 0 | 8B | 97 BPM | |
 | Westminster Waltz | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 1 | 10B | 174 BPM | |
 | London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 1 | 6A | 73 BPM | |
 | Victorian Kitchen Garden Suite: I. Prelude (accompaniment) | Paul Reade, Martin Cousin | B♭ Major | 0 | 6B | 180 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Gianni Schicchi: O mio babbino caro (Arr. for Cello and Orchestra) | Giacomo Puccini, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | A♭ Major | 1 | 4B | 87 BPM | |
 | Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Sinfonia Concertante for 2 Cellos in E Major: II. Largo | Antoine Reicha, Reinhard Goebel, Deutsche Radio Philharmonie Saarbrücken und Kaiserslautern, Stephan Koncz, Bruno Delepelaire | F Major | 0 | 7B | 84 BPM | |
 | Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 86 BPM | |
 | Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Yo-Yo Ma, Lorin Maazel, Pyotr Ilyich Tchaikovsky, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | |
 | Wallfisch: Lamorma | Yuja Wang, Benjamin Wallfisch | G Major | 1 | 9B | 100 BPM | |
 | II. Mouvement de menuet | John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 80 BPM | |
 | Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 81 BPM | |
 | Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | |
 | Serenade for Strings: II. Romance | William Lloyd Webber, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 83 BPM | |
 | La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | |
 | Fantasia on British Sea Songs (excerpts): II. Tom Bowling | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | C Major | 0 | 8B | 93 BPM | |
 | Underneath the Stars | Herbert Spencer, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | E♭ Major | 1 | 5B | 100 BPM | |
 | Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | |
 | A Downland Suite: III. Minuet. Allegretto grazioso (Version for String Orchestra) | John Ireland, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) | Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet | G Major | 0 | 9B | 52 BPM |
- ISRC
- USJLU0811983
- Label
- L-M Records/RCA Records