The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 2: Scene 3 "Akh, chto so mnoy" by Nikolai Rimsky-Korsakov, Marina Shaguch, Olga Markova-Mikhailenko, Evgeny Akimov, Gennadi Bezzubenkov, Mariinsky Orchestra, Valery Gergiev Song Details

"The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 2: Scene 3 "Akh, chto so mnoy"" by Nikolai Rimsky-Korsakov, Marina Shaguch, Olga Markova-Mikhailenko, Evgeny Akimov, Gennadi Bezzubenkov, Mariinsky Orchestra, Valery Gergiev had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 2: Scene 3 "Akh, chto so mnoy"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Rimsky-Korsakov: The Tsar's Bride". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 2: Scene 3 "Akh, chto so mnoy" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 2: Scene 3 "Akh, chto so mnoy" by Nikolai Rimsky-Korsakov, Marina Shaguch, Olga Markova-Mikhailenko, Evgeny Akimov, Gennadi Bezzubenkov, Mariinsky Orchestra, Valery Gergiev having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -16.172 dB
Acousticness: 95%
Danceability: 29%
Energy: 21%
Instrumentalness: 0%
Liveness: 26%
Loudness: 73%
Speechiness: 5%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Carmen Suite No. 1: 3. Intermezzo	Georges Bizet, Orchestre de Paris, Semyon Bychkov	B♭ Major	0	6B	74 BPM
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Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor)	Frédéric Chopin, Magdalena Hoffmann	A♭ Minor	1	1A	127 BPM
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Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto	Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux	C Minor	1	5A	75 BPM
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale)	Academy of St. Martin in the Fields	E Major	0	12B	68 BPM
Le roi s'amuse: Scene du bouquet	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	F♯ Minor	0	11A	136 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	128 BPM
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato	Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo	A Minor	1	8A	86 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner	C Minor	1	5A	71 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Nikolaj Znaider	E Minor	1	9A	103 BPM
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness	Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C	B Minor	0	10A	102 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)	Igor Stravinsky, Teodor Currentzis, musicAeterna	D Minor	5	7A	136 BPM
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz	Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons	E♭ Major	0	5B	81 BPM
Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto	Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov	G Major	5	9B	155 BPM