The Firebird Suite: Infernal Dance - Revised 1945 Version by Igor Stravinsky, Columbia Symphony Orchestra Song Details

Igor Stravinsky, Columbia Symphony Orchestra's 'The Firebird Suite: Infernal Dance - Revised 1945 Version' had a release date set for 1948. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 148 in the song's album "The Original Jacket Collection: Stravinsky Conducts Stravinsky - The Classic LP Recordings". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The Firebird Suite: Infernal Dance - Revised 1945 Version is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Firebird Suite: Infernal Dance - Revised 1945 Version by Igor Stravinsky, Columbia Symphony Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -14.217 dB
Acousticness: 92%
Danceability: 37%
Energy: 50%
Instrumentalness: 85%
Liveness: 13%
Loudness: 76%
Speechiness: 6%
Valence: 22%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	5	4B	149 BPM
El sombrero de tres picos, Pt. 2: I. Danza de los vecinos	Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas	D Major	1	10B	100 BPM
Simple Symphony, Op. 4: Sentimental Sarabande	Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford	G Minor	0	6A	75 BPM
Enigma Variations, Op. 36: Var. 2. Allegro "H.D.S-P."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	1	6A	113 BPM
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	E Major	3	12B	141 BPM
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	A♭ Major	0	4B	136 BPM
Respighi: Trittico botticelliano, P. 151: I. La Primavera	Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields	A Major	2	11B	137 BPM
Symphony No. 5 in B-Flat Major, Op. 100: III. Adagio	Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst	C Major	0	8B	105 BPM
Pictures at an Exhibition (Orch. Ravel): Promenade II	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A♭ Major	0	4B	80 BPM
Petrushka, K12 (1911 Version): II. Petrushka's Room	Igor Stravinsky, The Cleveland Orchestra, Pierre Boulez	E Minor	1	9A	172 BPM
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole	Edward Elgar, Orpheus Chamber Orchestra	F Minor	0	4A	124 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone	Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas	B♭ Minor	0	3A	82 BPM
Symphonie fantastique, H. 48: II. Un bal. Valse	Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	176 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro)	Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	156 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	0	8A	104 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Poulenc: Piano Concerto, FP 146: I. Allegretto	Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra	G Minor	1	6A	130 BPM
String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento	Antonín Dvořák, Hagen Quartett	D Minor	1	7A	88 BPM
Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	B♭ Minor	6	3A	148 BPM
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst	C Major	0	8B	105 BPM
Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace	Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi	G Major	2	9B	75 BPM
Symphony No. 3 in D Minor, Zweite Abteilung: V. Lustig im Tempo und keck im Ausdruck	Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin	F Major	1	7B	111 BPM