On February 20, 2012, the song "Goldberg Variations Bwv 988, Variatio 29" was released by Calefax Reed Quintet. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Calefax Reed Quintet's "Goldberg Variations" album is number 30 out of 32. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Goldberg Variations Bwv 988, Variatio 29 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Goldberg Variations Bwv 988, Variatio 29 by Calefax Reed Quintet to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | C Major | 0 | 8B | 138 BPM | ||
| Oboe Quartet in F Major, K. 370: I. Allegro | Wolfgang Amadeus Mozart, Joris Van Den Hauwe, Salzburg Soloists, Luz Leskowitz | F Major | 1 | 7B | 132 BPM | ||
| Suite No. 1 for Organ (Arr. for Reed Quintet by Jelte Althuis): II. Fughetta | Florence Beatrice Price, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | ||
| Concerto for Two Horns in F Major, RV 538: III. Allegro non molto | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Alexandre Zanetta, Félix Polet | C Major | 0 | 8B | 138 BPM | ||
| Toccata capricciosa, Op. 36 | Miklós Rózsa, Mark Kosower | C Major | 1 | 8B | 87 BPM | ||
| Le tombeau de Couperin, M. 68: I. Prélude (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | C Major | 0 | 8B | 138 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation 1 | Johann Baptist Vanhal, Claudio Ferrarini | C Major | 0 | 8B | 138 BPM | ||
| Seven Magnificat Antiphons: IV. O Schlüssel Davids (arr. Counter Tenor & Reed Quintet by Raaf Hekkema) | Arvo Pärt, Kai Wessel, Calefax Reed Quintet | D Minor | 0 | 7A | 72 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI):III. Variazione I | Ernst Krähmer, Claudio Ferrarini | C Major | 0 | 8B | 138 BPM | ||
| 24 Preludes and Fugues in D-Flat Major, Op. 87 No. 15: Prelude(Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | E Minor | 0 | 9A | 75 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Oboe Concerto in C Major - Arr. Benjamin: 3. Siciliana | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | A Minor | 0 | 8A | 169 BPM | ||
| Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: I. March | Henry Purcell, Alison Balsom, Balsom Ensemble | B Major | 2 | 1B | 110 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| 3 Chorale Preludes, Op. 122 (Arr. for Reed Quintet by Raaf Hekkema): No. 3, O Welt, ich muß dich lassen | Johannes Brahms, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | ||
| Clarinet Sonata in F Minor, Op. 120 No. 1: II. Andante un poco adagio | Johannes Brahms, Andreas Ottensamer, José Gallardo | F Major | 0 | 7B | 173 BPM | ||
| Feet In The Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
| Cabaret Songs: I. Tell me the Truth about Love | Benjamin Britten, Cora Burggraaf, Calefax Reed Quintet | F♯ Minor | 1 | 11A | 124 BPM | ||
| Mozart, Leopold: Trombone Concerto in D Major: II. Adagio | Leopold Mozart, Philippe Entremont, Vienna Chamber Orchestra | A Major | 4 | 11B | 102 BPM | ||
| Commorant Chicks Succumb | The Metropole Orchestra, Calefax Reed Quintet | D Minor | 0 | 7A | 166 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| 24 Preludes and Fugues in B Minor, Op. 87 No. 6: Fugue (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | B Minor | 0 | 10A | 65 BPM | ||
| Forlane | François Couperin, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM |