"Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato)" by Ralph Vaughan Williams, Roger Winfield/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England had its release date on June 5, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ralph Vaughan Williams, Richard Hickox, Northern Sinfonia Of England's "Hickox conducts Vaughan Williams" album is number 4 out of 36. On top of that, United Kingdom appears to be the country where this track was created. Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato) by Ralph Vaughan Williams, Roger Winfield/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 3 | 9B | 92 BPM | ||
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
| Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | ||
| Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
| Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | ||
| 2 Sketches: A Northern Song | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 1 | 9A | 113 BPM | ||
| Norfolk Rhapsody No. 1 | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 78 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 78 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | ||
| Concerto No. 2 for Piano and Orchestra, Op. 102: II. Andante - 2017 Remastered Version | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 172 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
| Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM | ||
| A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |