"Bagatelles: II." by George Nicholson, Janey Miller, Joby Burgess had its release date on November 1, 2010. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 13 in Frozen Rivers Flows - New Noise by Janey Miller, Joby Burgess. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bagatelles: II. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bagatelles: II. by George Nicholson, Janey Miller, Joby Burgess is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| Götterdämmerung, Act I Scene 2: Orchestral Interlude | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 130 BPM | ||
| Messiaen: Quatuor pour la fin du temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Erich Gruenberg, Gervase De Peyer, William Pleeth, Michel Béroff | E Major | 0 | 12B | 96 BPM | ||
| Debate entre la Sombra y la Hoguera | Adán Ramírez | B Major | 0 | 1B | 73 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | D Minor | 0 | 7A | 127 BPM | ||
| The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | C Major | 0 | 8B | 101 BPM | ||
| Bagatelles: VII. | George Nicholson, Janey Miller, Joby Burgess | A♭ Major | 0 | 4B | 106 BPM | ||
| Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo | Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit | A Minor | 0 | 8A | 79 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | D Major | 3 | 10B | 127 BPM | ||
| Unable To Speak | Don Davis | A♭ Major | 8 | 4B | 107 BPM | ||
| Bagatelles: III. | George Nicholson, Janey Miller, Joby Burgess | C Major | 1 | 8B | 116 BPM | ||
| VIII. Ondine | Claude Debussy, Alessandra Ammara | D♭ Major | 1 | 3B | 64 BPM | ||
| Piano & Violoncello 26 | Irena And Vojtech Havlovi | E♭ Major | 0 | 5B | 69 BPM | ||
| Letters to the World: Yesterday Is History | George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price | F♯ Major | 0 | 2B | 69 BPM | ||
| Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3, Farben | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 0 | 11B | 72 BPM | ||
| Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | E Major | 2 | 12B | 134 BPM | ||
| In Memoriam Dylan Thomas: III. Dirge-Canons (Postlude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | D Major | 3 | 10B | 127 BPM | ||
| L'enfant et les sortilèges, M. 71, Tab. I: "J'ai pas envie de faire ma page" (L'enfant) | Maurice Ravel, Mikko Franck, Orchestre Philharmonique de Radio France | A Minor | 0 | 8A | 83 BPM | ||
| Fratres (for violin and piano) | Arvo Pärt, Vadim Gluzman, Angela Yoffe | G Major | 0 | 9B | 148 BPM | ||
| Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
| Spring Songs: III. — | George Nicholson, John Turner | D Major | 0 | 10B | 69 BPM | ||
| Klokkeklang, Op. 54, No. 6 | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | C Major | 0 | 8B | 131 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
| Legend of Herlen | Byambasuren Sharav, Yo-Yo Ma, Ganbaatar Khongorzul, Silkroad Ensemble | E♭ Major | 0 | 5B | 84 BPM | ||
| Long-Ge | Jack Body, Kronos Quartet | C Major | 0 | 8B | 122 BPM |