"忘れな草" by 郡愛子, 美野春樹 had its release date on October 21, 2005. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in これ以上の愛は, so we believe that "忘れな草" is a single. The popularity of 忘れな草 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 忘れな草 by 郡愛子, 美野春樹 is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Inconstante | Isabelle Aboulker, Julie Roset, Susan Manoff | C Major | 1 | 8B | 77 BPM | ||
| Myrthen, Op. 25: No. 24, Du bist wie eine Blume | Robert Schumann, Margaret Price, James Lockhart | C Major | 0 | 8B | 109 BPM | ||
| Ave Maria, CG 89a, arr. from Bach's Prelude in C, BWV 846 | Charles Gounod, Johann Sebastian Bach, Sumi Jo, Marco Socías | C Major | 1 | 8B | 143 BPM | ||
| 2 Gesänge, Op. 91: No. 1, Gestillte Sehnsucht | Johannes Brahms, Sara Mingardo, Aldo Orvieto, Danusha Waskiewicz | D Major | 1 | 10B | 81 BPM | ||
| The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret) | Pyotr Ilyich Tchaikovsky, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Fairy Queen, Z. 629: If love's a sweet passion - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 86 BPM | ||
| Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
| Bizet: Adieux de l'hôtesse arabe, WD 72 | Georges Bizet, Fatma Said, Malcolm Martineau, Burcu Karadağ | A Minor | 0 | 8A | 80 BPM | ||
| 忘れな草 | 郡愛子, 美野春樹 | F♯ Major | 0 | 2B | 163 BPM | ||
| Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
| Ave verum Corpus | Karl Jenkins, Tamara Mumford, Bryn Terfel, Orchestra at Temple Square, Mack Wilberg, The Tabernacle Choir at Temple Square | B♭ Major | 2 | 6B | 165 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| Offenbach: Les contes d'Hoffman, Act 4: "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) | Jacques Offenbach, Jennifer Larmore, Jesús López-Cobos, Munich Radio Orchestra | D Major | 1 | 10B | 88 BPM | ||
| Ave Maria | Charles Gounod, Johann Sebastian Bach, Yoshikazu Mera, Hisako Matsui, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 0 | 5B | 90 BPM | ||
| L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
| Ave Maria "Ellens Gesang III", D. 839 | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 172 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | B♭ Minor | 0 | 3A | 125 BPM | ||
| Nina, o sia la Pazza per Amore: Il mio ben quando verrà | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 69 BPM | ||
| Soave sia il vento | Wolfgang Amadeus Mozart, Amici forever, Nick Ingman | E Major | 3 | 12B | 116 BPM | ||
| Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | A Minor | 0 | 8A | 86 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | ||
| 2 Romances, L. 79: No. 2, Les cloches | Claude Debussy, Jerome Ducros, Philippe Jaroussky | G Minor | 0 | 6A | 172 BPM | ||
| Lakmé: Viens, Mallika - Sous le dôme épais | Léo Delibes, Susanne Elmark, Maria Kontra, Sønderjyllands Symfoniorkester, Robert Reimer | B Major | 1 | 1B | 89 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM |