Joseph Curiale's 'A Conversation Among Friends' had a release date set for December 1, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 8 in Dinkytown by Joseph Curiale. Based on our statistics, A Conversation Among Friends's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A Conversation Among Friends by Joseph Curiale is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| The Planets Suite, Op. 32: IV. Jupiter | Gustav Holst, Vladimir Jurowski, London Philharmonic Choir, London Philharmonic Orchestra, Neville Creed | G Minor | 3 | 6A | 151 BPM | ||
| The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | ||
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| Orchestral Interlude | Joseph Curiale, Alphonso Johnson, Czech National Symphony Orchestra, Bob Sheppard | C Minor | 0 | 5A | 167 BPM | ||
| Re(new)al: I. Hydro | Viet Cuong, Albany Symphony, Sandbox Percussion, David Alan Miller | C Minor | 4 | 5A | 111 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
| English Folk Song Suite: I. March "Seventeen Come Sunday" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
| The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
| Rodeo: IV. Saturday Night Waltz | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | E♭ Major | 0 | 5B | 93 BPM | ||
| The Rosemary and Thyme Caprice | Christopher Gunning, Rumon Gamba, Craig Ogden, BBC Philharmonic Orchestra | E Minor | 0 | 9A | 84 BPM | ||
| Introit in F Major, Op. 6 | Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 85 BPM | ||
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | A Major | 1 | 11B | 134 BPM | ||
| Candide: V. Make Our Garden Grow | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | A Minor | 4 | 8A | 73 BPM | ||
| The Welcoming | Jerome Moross | F Major | 3 | 7B | 76 BPM | ||
| Marimba Concerto: I. Flowing | Kevin Puts, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop | E♭ Major | 2 | 5B | 125 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: II. Allegro moderato | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | D Minor | 1 | 7A | 132 BPM | ||
| Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM | ||
| IV. Lullaby for the Twins (2002 orchestral Version) | Alla Pavlova, Yaroslav Krasnikov, Leonid Makarevich, Andrey Chernishov, Aleksey Volkov, Michail Poroshin, Georgy Pleskatch, Moscow Philharmonic Orchestra, Rossen Milanov | E Major | 0 | 12B | 70 BPM | ||
| The Lochnagar Suite: III. Dance of the Eagle | Nigel Hess, Central Band Of The Royal Air Force | G Major | 4 | 9B | 129 BPM | ||
| Concerto Grosso: 3. Sarabande | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 87 BPM | ||
| Florida Suite: I. Daybreak - Dance | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 100 BPM | ||
| English Suite: Jig | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM |