"Evening Service in D Major: II. Nunc dimittis" by George Dyson, Exeter Cathedral Choir, Nethsingha, Morgan had its release date on July 13, 1985. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 15 in Alpha Collection, Vol. 13: Evensong from Exeter Cathedral by Exeter Cathedral Choir, Paul Morgan, Lucian Nethsingha. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Evening Service in D Major: II. Nunc dimittis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Evening Service in D Major: II. Nunc dimittis by George Dyson, Exeter Cathedral Choir, Nethsingha, Morgan is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Serenade | Ernest Tomlinson, Pro Arte Orchestra, George Weldon | A Major | 0 | 11B | 142 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
| 6 Lyrics, Op. 12b: No. 2, Melody | George Dyson, Simon Callaghan | G Major | 0 | 9B | 79 BPM | ||
| Lullaby for string orchestra | George Gershwin, The Cleveland Orchestra, Riccardo Chailly | G Major | 0 | 9B | 94 BPM | ||
| Glazunov: Meditation, Op. 32 | Alexander Glazunov, Chloë Hanslip, Paul Mann, London Symphony Orchestra | C Major | 2 | 8B | 108 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM | ||
| Evening Service in D Major: I. Magnificat | George Dyson, Lichfield Cathedral Choir, Mark Shepherd, Andrew Lumsden | D Major | 1 | 10B | 81 BPM | ||
| Be Strong and of Good Courage | George Dyson, The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary | B♭ Major | 2 | 6B | 61 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Forest Clearing, Op. 15 | Sigurd Islandsmoen, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 55 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin | George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks | A♭ Major | 1 | 4B | 93 BPM | ||
| 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. for String Orchestra by Victor Herbert) | Edward MacDowell, BBC Philharmonic, John Wilson | F♯ Minor | 1 | 11A | 79 BPM | ||
| 2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
| A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 88 BPM | ||
| Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 121 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Air | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 64 BPM | ||
| The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
| Bizet: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 64 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Entr'acte No. 3, Andantino | Franz Schubert, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 0 | 6B | 69 BPM |