On May 1, 2017, the song "Creeper" was released by David Hopper. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in David Hopper's "Kult Records Presents: Creeper / Future Drummer" album is number 1 out of 2. Based on our statistics, Creeper's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Creeper by David Hopper to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 88 BPM | ||
| Miroirs, M. 43: I. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
| Serenade - Tchaikovsky: Serenade in C major for String Orchestra, Op. 48; Valse: Moderato. Tempo di Valse | Pyotr Ilyich Tchaikovsky, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | D Major | 1 | 10B | 176 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Coppélia / Tableau 1: No. 2 Scène (Swanilda et Frantz) | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | F Major | 1 | 7B | 124 BPM | ||
| Childhood | Matt Milan | E Minor | 2 | 9A | 136 BPM | ||
| Daphnis et Chloe: Part I: Daphnis s'approche tendrement de Chloe | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | B♭ Minor | 4 | 3A | 82 BPM | ||
| Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Mort de Petrouchka (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 123 BPM | ||
| Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
| The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | F♯ Major | 1 | 2B | 129 BPM | ||
| The Calling - Cristian Van Gurgel Remix | DMorse, David Hopper | D♭ Major | 6 | 3B | 126 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Le Carnaval des Animaux: Grand Fantaisie Zoologique: X. Volière | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic, Tony Cirone, David Hopper, Ruth Segal, Naomi Segal, Gary Karr, Paula Robinson, Paul Green | F Major | 1 | 7B | 163 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a - Recorded 1985 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 86 BPM | ||
| Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) | Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham | D♭ Minor | 2 | 12A | 82 BPM | ||
| Rodeo: III. Ranch House Party | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | B♭ Major | 3 | 6B | 156 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| La Sylphide: Act II: Forest Scene: James and the Sylphide | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | B♭ Major | 0 | 6B | 120 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Ritual Action of the Ancestors (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Major | 0 | 10B | 133 BPM | ||
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM |