"Red River: II. Interstate 70" by Mason Bates, Fifth House Ensemble had its release date on August 12, 2014. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Excelsior by Fifth House Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Red River: II. Interstate 70 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Red River: II. Interstate 70 by Mason Bates, Fifth House Ensemble is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| The Desert Music: Second Movement (Moderate) | Steve Reich, Brooklyn Philharmonic, Michael Tilson Thomas | F♯ Major | 4 | 2B | 123 BPM | ||
| Finding Rothko: IV. Wine | Adam Schoenberg, Kansas City Symphony, Michael Stern | A Major | 0 | 11B | 74 BPM | ||
| Symphony No. 15 in A Major, Op. 141: I. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 2 | 3B | 125 BPM | ||
| Symphony No. 1, Op. 9: II. Allegro molto | Samuel Barber, Leonard Slatkin, St. Louis Symphony | A♭ Major | 2 | 4B | 87 BPM | ||
| Mississippi, "A Journey in Tones": III Old Creole Days | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A♭ Major | 0 | 4B | 98 BPM | ||
| Restless Oceans | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 111 BPM | ||
| Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | A♭ Major | 2 | 4B | 88 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | G Minor | 0 | 6A | 95 BPM | ||
| 4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza final | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | D♭ Major | 0 | 3B | 81 BPM | ||
| Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Shaker Loops: Loops and Verses (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Contact: IV. Convivium | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | F♯ Major | 5 | 2B | 105 BPM | ||
| 3 Dance Episodes from On the Town: No. 2, Lonely Town | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | D♭ Major | 0 | 3B | 81 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM |