"Rouse : Concert de Gaudí : II Largo sereno" by Christopher Rouse, Sharon Isbin, Muhai Tang, The Gulbenkian Orchestra had its release date on August 31, 2000. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Tan Dun & Rouse : Guitar Concertos". In this album, this song's track order is #2. Rouse : Concert de Gaudí : II Largo sereno is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rouse : Concert de Gaudí : II Largo sereno by Christopher Rouse, Sharon Isbin, Muhai Tang, The Gulbenkian Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scythian Suite, Op. 20 - "Ala and Lolly": 2. The Evil God and Dance of the Pagan Monsters | Sergei Prokofiev, Mariinsky Orchestra, Valery Gergiev | D Minor | 5 | 7A | 111 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
| Lyric for Strings | George Walker, Cleveland Chamber Symphony, Gregory Walker, Edwin London | F♯ Major | 0 | 2B | 77 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag | RTE Concert Orchestra, Ralph Vaughan Williams | F Minor | 0 | 4A | 107 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Momentum: Dance | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
| Billy the Kid: No. 2, Street in a Frontier Town | Aaron Copland, Colorado Symphony, Andrew Litton | A♭ Major | 1 | 4B | 129 BPM | ||
| Symphony No. 2: III. Allegro | Christopher Rouse, Houston Symphony, Christoph Eschenbach | F Major | 4 | 7B | 101 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | A Minor | 1 | 8A | 110 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | ||
| Pulcinella Suite: VIII. Minuetto—Finale - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Stravinsky: Le Chant du rossignol: II. Marche chinoise | Igor Stravinsky, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste | C Major | 1 | 8B | 145 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| Symphony No. 3, "Pastoral Symphony": III. Moderato pesante | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | C Major | 0 | 8B | 88 BPM | ||
| Symphony No. 3 (After Prokofiev): II. Theme | Christopher Rouse, New York Philharmonic, Alan Gilbert | B♭ Minor | 7 | 3A | 126 BPM | ||
| The Oceanides, Op. 73 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | G Major | 0 | 9B | 70 BPM |