L'Histoire du Soldat (The Soldier's Tale) - Part II: Narration by Igor Stravinsky, Eastman Wind Ensemble, Jan Opalach, Mark Scatterday Song Details

Igor Stravinsky, Eastman Wind Ensemble, Jan Opalach, Mark Scatterday's ' "L'Histoire du Soldat (The Soldier's Tale) - Part II: Narration" was released on its scheduled release date, February 12, 2013. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Stravinsky: Octet & L'Histoire du Soldat". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, L'Histoire du Soldat (The Soldier's Tale) - Part II: Narration is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With L'Histoire du Soldat (The Soldier's Tale) - Part II: Narration by Igor Stravinsky, Eastman Wind Ensemble, Jan Opalach, Mark Scatterday having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -13.598 dB
Acousticness: 88%
Danceability: 83%
Energy: 48%
Instrumentalness: 91%
Liveness: 10%
Loudness: 77%
Speechiness: 5%
Valence: 77%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto	César Franck, Pierre Monteux, Chicago Symphony Orchestra	E♭ Minor	0	2A	72 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)	Igor Stravinsky, Teodor Currentzis, musicAeterna	D Minor	5	7A	136 BPM
Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela	Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras	A Minor	0	8A	113 BPM
The Unanswered Question	Charles Ives, Royal Northern Sinfonia, James Sinclair	C Major	0	8B	63 BPM
Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	D♭ Major	2	3B	142 BPM
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	E Major	1	12B	85 BPM
String Quartet No. 2 in D Major: III. Notturno: Andante	Alexander Borodin, Budapest Haydn Quartet	A Major	1	11B	89 BPM
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso	Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit	D Major	1	10B	110 BPM
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death	Edvard Grieg, Wiener Philharmoniker, Zubin Mehta	G Major	0	9B	99 BPM
Danzas fantásticas, Op. 22: I. Exaltación	Joaquín Turina, Juanjo Mena, BBC Philharmonic	E Minor	0	9A	129 BPM
The Planets, Op. 32: 3. Mercury, the Winged Messenger	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	108 BPM
The Rake's Progress, Act III Scene 3: Duet. In a foolish dream… (Tom, Anne)	Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft	E♭ Major	1	5B	89 BPM
Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied	Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	86 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro	Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra	F Major	3	7B	111 BPM
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano)	Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb	G Minor	0	6A	140 BPM
Symphony No. 1, Op. 9: III. Andante tranquillo	Samuel Barber, Leonard Slatkin, St. Louis Symphony	B♭ Major	3	6B	93 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Pines of Rome, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta	C Minor	1	5A	90 BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Verklärte Nacht, Op. 4 (Version for String Orchestra): V. Adagio (Bar 370)	Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan	D♭ Minor	0	12A	67 BPM
Requiem Canticles: Libera me	Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft	B♭ Major	3	6B	136 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM
Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight	Benjamin Britten, London Symphony Orchestra, Steuart Bedford	E♭ Major	0	5B	78 BPM
Scheherazade: Calm - the triumph of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Minor	0	9A	68 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Minor	1	7A	174 BPM