"The Armed Man Should Be Feared (And Other Lessons from the Renaissance): I. L'homme armé" by Justin Rubin, Zeitgeist had its release date on June 9, 2015. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 11 in Currents: Assorted Pieces for Percussion, Winds & Voice by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Armed Man Should Be Feared (And Other Lessons from the Renaissance): I. L'homme armé's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Armed Man Should Be Feared (And Other Lessons from the Renaissance): I. L'homme armé by Justin Rubin, Zeitgeist is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| V. Louange à l'Éternité de Jésus | Olivier Messiaen, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
| Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
| Ultima Verba: I. Ultima Verba | Justin Rubin, Alyssa Anderson, Joseph Spoelstra | E♭ Major | 0 | 5B | 128 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| 7 Haikus: I. Molto adagio | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| Knee 2 | Philip Glass Ensemble | A Minor | 2 | 8A | 131 BPM | ||
| Le marteau sans maître: I. Avant "L'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| String Quartet: III. Fàpmu | Bjorn Arntsen, Towha | C Minor | 0 | 5A | 173 BPM | ||
| Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | ||
| Ethereal Dance | Jarko Vento | D♭ Major | 6 | 3B | 110 BPM | ||
| Phalanx Suite: Hidden Finale | R.Kuhn, Rüdiger Edgar Kuhn | A Minor | 2 | 8A | 138 BPM | ||
| Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| New York Counterpoint: II. Slow | Steve Reich, Evan Ziporyn | F♯ Minor | 1 | 11A | 90 BPM | ||
| Lullaby for Max | Justin Rubin, Matthew McCright | E Major | 0 | 12B | 129 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | G Major | 0 | 9B | 97 BPM | ||
| Christian Wolff in Cambridge | Morton Feldman, Brandeis University Chamber Chorus, Alvin Lucier | F♯ Minor | 0 | 11A | 75 BPM | ||
| Double Sextet: I. Fast | Steve Reich, eighth blackbird | F Minor | 3 | 4A | 165 BPM | ||
| Piano Album 2008: No. 5, Chiaramente, con poco rubato | Justin Rubin, Matthew McCright | E♭ Major | 0 | 5B | 128 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Oraison | Olivier Messiaen | E Major | 0 | 12B | 74 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM |